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Oksana Maksymchuk

Named as One of Financial Times's Best Summer Poetry Books of 2024

The poems in Oksana Maksymchuk’s debut English-language collection meditate on the changing sense of reality, temporality, mortality, and intimacy in the face of a catastrophic event. While some of the poems were composed in the months preceding the full-scale invasion of the poet’s homeland, others emerged in its wake. Navigating between a chronicle, a chorus, and a collage, Still City reflects the lived experiences of liminality, offering different perspectives on the war and its aftermath. The collection engages a wide range of sources, including social media posts, the news reports, witness accounts, recorded oral histories, photographs, drone video footage, intercepted communication, and official documents, making sense of the transformations that war effects in individuals, families, and communities. Now ecstatic, now cathartic, these poems shine a light on survival, mourning, and hope through moments of terror and awe.

University of Pittsburgh Press

Pitt Poetry Series

Still City: Poems

Lyrae Van Clief-Stefanon

Purchase is for those who are grieving, who feel frightened by the world’s meanness, who are solitary. It is for those who, even in the midst of mourning, find themselves distracted from despair by the natural world. It is for everyone looking to find comfort and understanding. From a hidden river in upstate New York to a massive flood in Kentucky, currents of all strengths run through these poems, taking the reader through grief, estrangement, and the too-often unseen interiority of Black women, landing at a new perspective, the light of faith dawning.

Purchase: Poems

Bret Shepard

Landscape and language drive the poems in Absent Here, which explore loss, community, the changing environment, and whiteness of skin and scenery against the backdrop of the Alaskan North Slope of the author’s youth. More than mere background, the land and water become characters in their own right, guiding syntactic forms and flowing reflections. Bret Shepard merges cultural experiences with meditative moments, ensuring that the voices and stories of this community are not lost to time, as so much has been already.

Absent Here: Poems

Nathan Xavier Osorio

Querida offers a place-based lyrical meditation on the poet’s immigrant parents, collective memory, language, and family in the San Fernando region of Los Angeles, California. Through a constellation of interweaving persona poems, confessional reflections, imagistic portraits of people and places, and decolonial poetic rituals—braided with a crown of sonnets—a choir of speakers navigate the fraught inheritance of memory frayed by the generational trauma of migration, coloniality, and the exploitative labor of late-stage capitalism. Swaying between maximalist and carnivalesque textual decadence and sparse, brutalist, bilingual inquiries into language as yet another exploitative and extractive tool for control, these poems honor familial and community wisdom as the only way to survive the steadily destabilizing Capitalocene.

Querida: Poems

Ajibola Tolase

2000 Blacks probes the complexity of economic and politically motivated migration from Africa, which has been referred to as “African Brain Drain.” In the first sequence of poems, Ajibola Tolase explores Africa’s history and encounters with the Western world, providing poetic insight into the economic instability precipitated by the transatlantic slave trade and exploitation of mineral resources. Moving inward, the second sequence plumbs the poet’s complex relationship with his father, connecting his emotional and then physical absence with the consequences of community disintegration.

2000 Blacks: Poems

Jan Beatty

Dragstripping, Jan Beatty’s seventh collection of poems, takes readers to the literal dragstrip, the metaphorical dragstrip of the body, and the strip club, where the ecstatic is rescripted and where women disappear and reappear in the crosscut of gender. Transgressing into and out of poetic form, Beatty writes the fractured landscape of the unknown woman, breaking rules of grammar and subverting expected speech, mixing the real and unreal, and finding elation in a strange and shifting land.

Dragstripping: Poems

Reginald Shepherd

Drawing from all six of his collections, The Selected Shepherd offers a new retrospective on the work of an important and sometimes controversial Black, gay poet. Although well known for his erotic poems about white men, Shepherd also wrote consistently about the natural world and its endangerment and his grief over his mother’s death. Presented in both publication order and the order in which they originally appeared within each collection, these poems highlight the most important themes of Shepherd’s work, along with both his predictability and unpredictability as a poet. Jericho Brown’s introduction provides additional context and insight on the life and work of this complex, groundbreaking figure in American poetry.

The Selected Shepherd: Poems

Alicia Suskin Ostriker

Alicia Suskin Ostriker is that rare combination, a writer equally admired as poet and critic. The variety of subjects in Green Age is characteristic of her writing: from the opening poem, "Fifty," funny, courageous, and defiant, to a set of birthday poems for a grown daughter; from emulations of the Persian mystic Rumi, to the provactive "Meditation in Seven Days," whose central assumption is that we may find in the Bible traces of a Canaanite goddess whose worship was forbidden with the advent of patriarchal monotheism. But if her subjects may seem formidable, her poems are not. Ostriker is accessible, witty, daring, and humane, and she has become one of the most praised poets of her generation.

Green Age

Jesse Lee Kercheval

esse Lee Kercheval writes with wit, vivid language, and devastating honesty in these autobiographical poems. Tracing the timelines of her life forward and backward, she offers a moving examination of the role of family and the possible/probable/hoped for existence of God—and how our perceptions of the divine can be transformed from a kindergartner’s dyslexically scrawled "doG loves U" to the ever-present but oft-ignored Dog Angel of the title. Ranging from a cross-country drive to bury her mother’s ashes at Arlington National Cemetery, to a family vacation in Spain, to an imagined final exam given by her children, Kercheval explores the vagaries of love, loss, faith, grief, and joy with a calm, convincing wisdom that permeates this resonant and wonderful collection.

Dog Angel: Poems

Robin Becker

Celebratory or eligiac, these poems record the author’s “two-headed journey” to root herself - geographically and emotionally - in the world. Becker’s poems are from remote and familiar outposts: the watery evanescence of Venice contrasts with the desert of the American Southwest; we lean with her over the rim of a canyon or stand back to study a Giacometti sculpture. From such settings arise poems on the death of a sibling, the consoling power of painting and sculpture; others celebrate the erotic and the capacity of the female body for pleasure and pain.

Giacometti's Dog

Peter Meinke

Night Watch on the Chesapeake is Peter Meinke’s third collection of poetry. The poems traverse a wide landscape of topics from playing baseball, the death of a friend, divorce, and even poetry itself.

Night Watch on the Chesapeake

Suzanne Gardinier

“A great poem of this end of our century. It is masterfully structured in recurring themes and voices which build on and off each other. Gardinier is above all a poet whose language and images are completely integrated so that in Keats's words, every rift is laden with ore. I found this a thrilling poem to read.”
--Adrienne Rich

The New World

John Paul Davis

In Climbing a Burning Rope, John Paul Davis focuses his peculiar imagination, philosophical lyricism, and misfit spiritual outlook on life in the hypercapitalist twenty-first century where the inscrutable logic of algorithms haunts our constantly connected selves. Celebrating the weird and wild, lamenting wounds and weariness, Davis’s poems carve out a space in which we can reclaim what is sacred and be reminded to keep something of ourselves for ourselves.

Climbing a Burning Rope: Poems

Tana Jean Welch

In Parachutes Descending follows the speaker’s decision to leave her Bostonian husband for Jane, a San Franciscan artist, while charting the sensual consequences of our bodily entanglements. These poems capture personal desires fermenting among current earthly cataclysms, including climate change and global capitalism. In doing so, this collection asks us to think inclusively about the ways we become with all humans and nonhumans, all of us—past, present, and future—intimately entwined with others.

In Parachutes Descending: Poems

Marsha de la O

Written during the last five years of the poet’s father’s life, Creature is a book about love, destruction, and the self, all standing in relation to family and the natural world. The poems themselves try to move toward what can’t be said by finding connection with other life forms: hawks, hummingbirds, pelicans, lizards, horses, ravens, squid. By moving past linguistic walls into otherness, words become proximate to mystery and inhabit territory where expanses open and embodiment is always on the verge of transformation.

Creature: Poems

V. Penelope Pelizzon

Written over a decade while the author lived on four continents, A Gaze Hound That Hunteth by the Eye maps the cultural legacies we cherish against those we reject. Playful and wrenching by turns, with lines inflected by the spoken music of their Arabic, Oshiwambo, Xhosa, and Italian contexts, these profound poems explore a life where displacement is the norm. From choosing not to have children to wrestling with a left-hand stick shift in Johannesburg traffic to braising a camel loin for friends in Damascus, V. Penelope Pelizzon’s poems transport us into unexpected depths of feeling with language that is scintillant, luxurious, and wise.

A Gaze Hound That Hunteth by the Eye: Poems

Elton Glaser

Elton Glaser’s ninth book of poems is haunted by the loss of his wife, each April bringing back the memory of her death. The opening line confesses the struggle to find a language for this grief: “I’m learning to speak in the accents of adieu.” As the book progresses through the seasons, it evokes the places that remind him of their times together, in the South of their youths, in the Midwest of their long marriage, and in their travels here and abroad. And yet there is also another strain that keeps breaking through, the particulars of joy in family and the natural world, grandsons and “swaggering lilies,” and a swan like “a sullen bride in her white finery.” With an irrepressible wit and a music that enlivens his lines in both celebration and elegy, Glaser never forgets that, as Wallace Stevens said, “Memory without passion would be better lost.”

Ghost Variations: Poems

Anzhelina Polonskaya

Translated by Andrew Wachtel

Amid the din of Russia’s patriotic sentiments and Instagram instants, is there any room left for the voice of a poet? Despite the many entertainments and distractions of modern life, Anzhelina Polonskaya’s spare but cutting poems in Take Me to Stavanger declare a wholehearted “Yes.” This bilingual Russian-English volume makes a refuge for the poet and her readers, plumbing the depths of contemporary melancholy and ennui. Beautifully crafted idiosyncratic dissections of a strong individual who refuses to go along with the currents of popular culture or political jingoism invite readers to slow down and pay attention.

Take Me to Stavanger: Poems

Corey Marks

Change arises as something both desired and mourned in poems that reckon with a world where perspectives blur, names drift “billowing, unattached,” and language yields a broken music. A statue of Lenin topples in a Georgian square only to be raised again in a Dallas backyard. Antlers sprout from Actaeon’s head, rendering him unrecognizable to the dogs he loves. Ungainly piano notes pour from a window and wake unexpected wonder in a lost walker. A forest grows inside a box that once held a father’s new pair of shoes. Skylab slips from its watchful orbit and careens toward Earth. A familiar chair once owned by a now absent family appears in a field of wild parsnips. Meditative and richly imaginative, these poems cast and recast the self and its relation to other selves, and to memory, history, power, and the natural world.

Rock That Is Not a Rabbit, The: Poems

Quan Barry

In Auction, her first poetry collection in eight years, the poet, novelist, and playwright Quan Barry travels the globe in her signature quest into the existential nature of experience. These poems explore the inner landscapes of both the human and animal realms, revealing them to be points along the same spectrum. At the heart of the book lies an extended study of toxic storytelling as an element of warcraft, but Barry also contemplates the death of a Buddhist master, the plight of migrants both at home and abroad, the ethics of travel and consumption, and the larger question of how and why we construct a self in order to navigate the world.

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