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Peter Kearns

In her long career, Canadian songstress Joni Mitchell has been hailed as everything from a 1960s folk icon to 20th century cultural figure, artistic iconoclast to musical heroine, extreme romantic confessor to both outspoken commentator and lyrical painter. Eschewing commercial considerations, she simply viewed her trajectory as that of any artist serious about the integrity of their work. But whatever musical position she took, she was always one step ahead of the game, making eclectic and innovative music. Albums like The Ladies Of The Canyon, Blue, Hejira and Mingus helped define each era of the 1970s, as she moved from exquisitely pitched singer-songwriter material towards jazz. By the 1980s, her influence was really beginning to show via a host of imitators, many of them big names in their own right. He profound influence continues in popular music to this day.
This book revisits her studio albums in detail from 1968’s Song to a Seagull to 2007’s Shine, providing anecdote and insight into the recording sessions. It also includes an in-depth analysis both of her lyrics and the way her music developed stylistically over such a lengthy career, making this the most comprehensive book on this remarkable artist yet written.

Peter Kearns is an independent recording artist and writer. Since the ‘80s he has performed live as keyboardist or recorded with acts including New Zealand’s Shona Laing, the UK’s Judie Tzuke, and New Yorker John Tabacco, being half of the duo Tabacco & Kearns. He has released two solo albums. As a writer he’s contributed to Witchdoctor.co.nz - New Zealand’s technology and music website for grownups, and New Zealand Musician magazine. Joni Mitchell On Track is his third book for Sonicbond Publishing after books on Elton John and 10cc and Godley and Creme. He lives in Amberley, New Zealand.

Sonicbond Publishing

On Track

Joni Mitchell: Every Album, Every Song

Chris Sutton

This long-overdue book charts the career of Sparks from 1969 to 1979. Every album and every song is examined, including some which are still officially unreleased, beginning with their early recordings as Halfnelson/Sparks and when they were a band of five. After that band split, Ron and Russell Mael retained the name and spent much of the seventies working with a succession of sidemen and collaborators, although this was not always evident to some! They ended the seventies on a high note with the collaboration with Gorgio Moroder for ‘No. 1 In Heaven’. 
Many who worked on their records have shared their thoughts in the book. The list includes Dean Detrick, Simon Draper, Harley Feinstein, Martin Gordon, Ian Hampton, Rupert Holmes, James Lowe, Sal Maida, James Mankey, John Mendelsohn, Adrian Munsey, Ralph Oswald, Peter Oxendale, Mike Piggott, Terry Rae, Thom Rotella, Suzi Ronson, Paul Rudolph, Richard Digby Smith, Karl Stoecker, David Swanson, Trevor White, Muff Winwood and Luke Zamperini. 
But this book adds much new information for fans as well as lively opinions on the records. It’s essential reading for anyone who wants to know more about how Sparks developed in the decade which saw them create much of their best work.

Chris Sutton has been a Sparks fan since their legendary debut on Top Of The Pops in 1974. His favourite album by them is their second, A Woofer In Tweeter’s Clothing. He manages Smethwick Heritage Centre museum, for whom he has written several publications and he has also written several plays. This is his fifth book on music, following on from books on Alice Cooper, Black Sabbath and AC/DC. He also writes for Power Play magazine, and has contributed to a documentary on Alice Cooper.

Sparks 1969 to 1979: Every Album, Every Song

Manny Grillo

Between their formation in 1977 and retirement as a band in 2012, INXS went from pub band to world fame with their unique hybrid of rock, pop and funk. Despite soaking up a vast number of influences along the way, INXS transcended all specific music genres to become unique and, along the way, sold tens of millions of albums worldwide.

 The hit singles, including ‘Need You Tonight’, ‘Never Tear US Apart’ and ‘Suicide Blonde’ amongst many others, have seeped into popular culture. At the same time, the life and loves of their electric frontman, Michael Hutchence, kept the band in the public consciousness. Biographies, documentaries and even a TV biopic have all been written and produced about the band and Michael’s life. However, this is the first book that takes a deep dive into their entire catalogue, taking in every INXS track, including song commentaries, opinion, facts and stories.

 From their early demos to breakthrough album Shabooh Shoobah and The Swing via the global success of Kick to the creative rebirth of Welcome To Wherever You Are, all the way through to the post-Hutchence celebration Original Sin, every album track and B-side is covered here in glorious detail.

 Ever since he wore out the first Now That’s What I Call Music album at the age of 4, Manny Grillo has had a deep love for music. It was Christmas 1988 when he received a copy of the ‘Need You Tonight’ single that his love for INXS began. That record kicked off a four-decade journey, which has seen him become a contributor to the wonderful INXS: Access All Areas podcast and has culminated in the release of his first book – a lifelong ambition.. The other loves of his life are his wife, Kim, and children Alicia, Luca, Jude and Heidi. He lives in Yorkshire, UK.

INXS: Every Album, Every Song

Richard James

Rush, in their own words, ‘The World’s Biggest Cult Band’, started from humble beginnings: three suburban Canadian teenagers. Alex Lifeson, Geddy Lee, and John Rutsey formed a Led Zeppelin-influenced trio, eventually scratching a living playing the bars and clubs of their native Toronto. A hard work ethic, no small amount of talent, and a slice of good fortune enabled their first self-financed and distributed album to gain a foothold in the American market.
And then, on the eve of their first American tour, drummer Rutsey quit. Fortune smiled on them again when auditions for a replacement produced Neil Peart, who could not only drum like a demon but was adept at lyric writing. Sharing a love of the then emerging progressive rock scene, the trio embarked on crafting a series of albums from the ‘second’ debut, Fly By Night, to the career-defining and best-selling masterpiece Moving Pictures. Records which would secure them a permanent place in the rock hierarchy.
This book, the first volume of two, examines all these albums up to Signals, their 1982 release, which saw the band embracing keyboard technology and severing their connections with long-time producer Terry Brown, the unofficial fourth member of this remarkable trio.

Richard James immersed himself in music as soon as he got his first real six-string at the age of ten. Previously chained to a desk for a living, he broke free, armed with a music degree from the Open University and a Licentiate Diploma in Classical Guitar from the Royal School of Music, and proceeded to roam the East Midlands as a freelance guitarist and music teacher. He lives with his wife in Leicestershire, UK, and when not involved with music, he enjoys foreign travel and playing chess badly.

Rush 1973 - 1982: Every Album, Every Song

Graeme Scarfe

If Genesis, according to British comedian and fan Al Murray 'were the progressive rock band who progressed', then Peter Gabriel as a solo artist would be the member that progressed the most. Who would have thought that listening to early Genesis would eventually take the listener to Senegal, Armenia, South Africa and beyond, via the artistic endeavours of their former vocalist?
This is a journey through Peter Gabriel's solo albums, his live recordings and soundtrack compositions. During his forty-year plus solo career, Gabriel has become a worldwide pop star via his early, self-titled albums and his seminal 1986 record So. He has had hit singles throughout his career, including the bucolic 'Solsbury Hill' in 1977 and the poignant 'Don't Give Up'. He also helped pioneer video creativity with the song 'Sledgehammer'. In doing so, he has reached beyond his progressive rock origins to achieve a level of popularity and respect that other musicians from that genre could only dream about. You may have heard many of these songs before, but there's always something new to be found by digging in the dirt. This is the perfect guide to his music for new listeners and long-term fans alike. 
What on earth is going on? In the words of the Burgermiester: 'I...will...find...out.'

Graeme Scarfe was born in the 1960s, educated in the comprehensive system in the 1970s and 1980s and graduated from Bournemouth University in the 1990s. He has worked as a music journalist, sound recordist and stand-up comedian. He also regularly lectures on Film. He wrote the original screenplay for the British Horror film Lighthouse and the comedy novel Seagulls on Speed which is available from www.seagullsonspeed.co.uk. He listens to an awful lot of music and attempts to play the guitar. A member of the Writers' Guild of Great Britain, he is married with two children and lives in Sussex, UK.

Peter Gabriel: Every Album, Every Song

Gary Steel

They lasted for only a decade and never lit up the world's charts, but Gentle Giant belong in the pantheon of great progressive rock bands of the era. At times edgy and experimental, but also capable of great beauty – not to mention some of the greatest riffs known to man – the group's explorations of medieval music gave their sound its unique character. But it was the thrilling complexity of their compositions – which Frank Zappa might have called the 'statistical density' of their writing – together with the instrumental ability of its players, that make their music as potent today as it was at their peak nearly 50 years ago when albums like Octopus and The Power And The Glory helped define the progressive rock era.
This book takes a microscopic look at each of Gentle Giant's eleven studio albums and provides fresh assessments of the many live and 'odds and sods' recordings. It also rounds up their existing documentary and performance footage. In doing so, it tells the story of one of progressive music's most fascinating groups and the thrilling – and occasionally tortuous – ride the Shulman brothers and key band-mates like Kerry Minnear and Gary Green experienced along the way.

Gary Steel is a New Zealand-based journalist who has developed severe tinnitus from attending thousands of rock gigs in his 40-plus years of rock writing. In that time he has also interviewed a who's who of contemporary music and reviewed just about every record going for whoever would publish his pungent opinions. As a pimply adolescent with Rick Wakeman hair, he tried unsuccessfully to turn his schoolmates away from their obsessions with glam and disco and convert them to ELP, King Crimson and Gentle Giant. He has edited and published several music magazines, run his own record shop and is a late-in-life first-time Dad of young kids.

Gentle Giant: Every Album, Every Song

William E Spevack

Despite being active for less than a decade and releasing just three studio albums during their short tenure, Nirvana’s overwhelming musical and cultural impact on the world cannot be understated. Within such a narrow timespan, the famous trio made themselves synonymous with what came to be known as grunge; a potent mix of melodic punk and heavy metal that evolved in America in the mid-1980s. Combined with the band’s anti-glam, battered image and Kurt Cobain’s lyrical themes of social alienation and world apathy, Nirvana rallied the youth with anthemic, head-banging singalongs and introspective dirges, providing a haven for those feeling lost and abject. Thirty years after the shocking death of Kurt Cobain, Nirvana still dominate the musical conversation and their influence continues to be far-reaching.

 This book aims to justify such a strong legacy with a detailed analysis of every song from Nirvana’s three studio albums, as well as non-album singles, B-sides and any other outliers. In addition, tracks from live and compilation albums will be considered in this appraisal of a band that managed to showcase so much in such little time. They only reveal more as the years go by – as this assessment will prove.

 

William E. Spevack has been published in the magazines Laptop, CPU, and PC Upgrade as well as the music website AlternativeNation.net. His first book, Keep On Shining: A Guide Through the Music of Love & Arthur Lee, was published in December 2021, and the wrote Green Day On Track for Sonicbond Publishing in 2023. He is a Bard graduate and a passionate music fan, who enjoys writing about music, playing sports, playing keyboards and reading music history books that focus on the music specifically. He lives in New York City.

Nirvana: Every Album, Every Song

Keith Domone

Monika Domone

Barclay James Harvest are surely overdue for greater recognition. They have Long been feted in Germany and in other parts of Continental Europe, but remain largely unknown at home in the U.K. except to a fiercely loyal cognoscenti. Formed in the Saddleworth area of north-west England in 1967, the band released a series of outstanding albums showcasing their pastoral, classically-influenced brand of rock, before hitting the heights of their success, culminating in a massive open-air concert in Berlin in front of an estimated quarter of a million people. With only one line-up change, the departure of keyboard maestro and founder member Woolly Wolstenholme in 1979, they continued to record until 1998, when the band finally split into two separate groups, led by original members John Lees and Les Holroyd respectively. 
The core of this book covers Barclay James Harvest’s output from 1968 to 1997, with analysis and background information for every studio album and every song released from that period, but there is also room for an overview of their live albums and of the member’s activities after the break up of the original group. It is required reading for anyone with more than a passing interest in one of the rock world’s most underrated bands.

Keith and Monika Domone have both been Barclay James Harvest aficionados from an early age, even meeting through their shared love of the band’s music. They graduated from running the band’s official fan club to writing and curating the Barclay James Harvest and John Lees’ Barclay James Harvest web sites, in between work and parenting. They were also responsible for penning two editions of The Barclay James Harvest Story, the only biography of the band to have appeared in print to date, and now out of print. They have two grown-up children, living in Hampshire, UK.

Barclay James Harvest: Every Album, Every Song

Opher Goodwin

In the realm of singer-songwriters, few have been as influential as Neil Young, whose music has always been creative and relevant throughout six decades. Neil is a chameleon for whom boundaries of genres do not exist. Throughout a long career that continues to this day, he has delved into folk, country, r&b, rock ‘n’ roll, grunge, hard rock, electronic and pop and made them his own. But the sixties were his launch pad. 
This book follows his music through that seminal period when he played with The Squires, Mynah Birds, Buffalo Springfield, Crosby, Stills, Nash & Young, Crazy Horse and The Stray Gators. During this seminal period, Young wrote or co-wrote some of his greatest songs, including ‘I Am A Child’, ‘Southern Man’, ‘Helpless’ and – most importantly – ‘Ohio’. He was also involved in some seminal albums, including his eponymous debut solo album, After The Gold Rush and Déjà Vu.
This is the story of how one of the most seminal artists of the last fifty years learned his trade, by delving in detail into every band, every twist and turn, and every track.

Opher Goodwin is the author of many books on rock music and science fiction and taught the first 'History of Rock Music' classes in the UK. He was fortunate to spend the sixties in London, the epicentre for the underground explosion of rock music and culture, where he was able to see everyone from Pink Floyd, Hendrix and Cream to The Doors, Captain Beefheart and Roy Harper. He was introduced to Captain Beefheart in 1967 and attended that first amazing gig at Middle Earth. He never fully recovered but now lives happily in East Yorkshire, UK.

Neil Young 1963-1970: Every Album, Every Song

James Romag

The J. Geils Band were the original Bad Boys from Boston, blowing audiences away night after night. With classic albums like Full House, Bloodshot, Love Stinks, and the massively successful Freeze-Frame, Geils have been nominated for the US Rock and Roll Hall of Fame no fewer than five times since 2005. From their early days as r&b and blues purists, through defining tracks like 'Looking for a Love,' the instrumental 'Whammer Jammer,' and the US Top 40 'Give It to Me,' to global fame with radio staples' Love Stinks,' 'Centerfold,' and 'Freeze-Frame,' The J. Geils Band created a unique sound and turned every show into a house party. Though it took time for record sales to catch up to their live reputation, by the early 1980s, there were few hotter acts than J. Geils.

 The definitive companion to the music of this hard-drivin' outfit, this is a comprehensive overview of every track on Geils' 11 studio albums, with a look at their official live releases and a rundown of the musicians' projects beyond the band. The book makes clear why Geils, often referred to as America's answer to The Rolling Stones, were the funkiest band in the land.

 

The author

James Romag is a lifelong music fan and enjoys hot, sweaty live concerts where music is blasting and everybody's having a ball. He worked in several record shops while attending the college of musical knowledge and holds degrees in journalism, finance and marketing, and publishing. He has edited several books and published a handful of short stories. James is a US Air Force veteran who lives in Colorado at the foothills of the Rocky Mountains. This is his second book for Sonicbond's On Track series, the first being about REO Speedwagon.

J. Geils Band: Every Album, Every Song

Michael Kulikowski

In ten short years, Roxy Music made two of the most experimental albums in popular music history and one of the most smoothly romantic. Conceived by Bryan Ferry at the turn of the 1970s, the band released its first album, Roxy Music, to wide acclaim in 1972 and swiftly followed up with the ground-breaking single ‘Virginia Plain’. Ferry, Andy Mackay, and Phil Manzanera remained Roxy’s core players over seven more albums in three distinct phases.

 The debut and For Your Pleasure (1973) featured all manner of electronic weirdness from Brian Eno, while Stranded (1973), Country Life (1974), and Siren (1975) marked the peak of Ferry’s songwriting and struck a delicate balance between edgy art and gorgeous craft. Finally, Manifesto (1979), Flesh + Blood (1980), and Avalon (1982), the last two without powerhouse founding drummer Paul Thompson, framed Ferry’s tales of doomed romance within a sophisticated wash of sound that used the studio itself as an instrument.

 The members of Roxy Music have had long and distinguished careers outside the band, but nothing can surpass the eight albums they made together. This book tells the musical story of this most enigmatic of British bands.

 

Michael Kulikowski’s day job is teaching about ancient Rome as the Edwin Erle Sparks Professor of History and Classics at Penn State University, USA. He is the author of academic books and articles, as well as Imperial Triumph (2016) and Imperial Tragedy (2019), which are written for the general reader and narrate the history of ancient Rome from its height around AD 100 to the end of the western empire in the fifth century. He writes regularly for the London Review of Books and has been listening obsessively to Roxy Music for forty years.

Roxy Music: Every Album Every Song

Martin Hutchinson

The Stranglers, or Meninblack, were once considered the bad boys of punk despite never really being a punk band. Formed in Guildford in 1974, they celebrate their golden anniversary as a band that have continued to tour and record throughout their history, giving us some classic tunes like ‘No More Heroes’, ‘Peaches’ and ‘Golden Brown,’ just part of a legacy that includes 40 top 40 UK singles hits and 18 studio albums. They have courted controversy, been jailed, been reviled and lauded – in fact, everything that can happen to a band has happened to The Stranglers.
Still led by original bassist Jean-Jacques Burnel, The Stranglers have created some thought-provoking music with a sense of melody, which proves that their musicality and intelligence were often greater than their contemporaries.
This book examines every album and single recorded by the band, as well as rarities and their many videos throughout their history. With a foreword by current guitarist and vocalist Baz Warne, the band’s colourful history is explored as we discuss every song created by one of the most interesting and eclectic bands in rock music.

Martin Hutchinson lives with his wife Michaela (and cat Sydney) in Horwich near Bolton, UK. He has written comedy sketches for TV and Radio, compiled quizzes for TV and has penned over 270 CD liner notes for EMI and others. For over thirty years, he has concentrated on music, supplying articles and interviews for around 20 provincial newspapers and three magazines. He is also, for his sins, a lifelong Bolton Wanderers fan. This is his second book for Sonicbond, the first being The Kinks On Track.

The Stranglers: Every Album, Every Song

Stephen Lambe

Yes are the archetypal 1970s progressive rock group. Playing powerful and adventurous music when it was briefly part of the mainstream, the band thrilled millions with their iconic albums and epic live shows. Records like Fragile and Close To The Edge helped define an era and although the band dissolved at the end of the decade, Yes emerged once again with 90125, a streamlined, modern sound in the 1980s and a US number one hit single in ‘Owner of a Lonely Heart’. Now in their sixth decade, the band continues to release albums and play live into the new millennium, despite numerous, sometimes controversial, lineup changes.
This book examines each one of Yes’s studio albums, highlighting the many high points, and the rarer missteps, as well as focussing on the changes in band dynamics which led to some varied – but always interesting – music. This new, expanded edition celebrates a flurry of recent Yes activity, including new albums The Quest and Mirror To The Sky as well as a detailed examination of the band’s live recordings, making this the most up-to-date and comprehensive guide to the band’s music yet written It is essential reading for Yes' legions of fans worldwide.

Stephen Lambe is an author, publisher and festival promoter. He is an acknowledged expert on progressive rock, having written the best-selling Citizens Of Hope And Glory – The History Of Progressive Rock for Amberley in 2011 – and has discussed the subject on BBC Radio. He has co-hosted the Summer's End Progressive Rock Festival since 2006 and is a former Chairman of the Classic Rock Society. His first live concert – of many hundreds – was Yes at Wembley Arena in 1978. He lives in Tewkesbury in Gloucestershire, UK.

Yes - expanded edition: Every Album, Every Song

Mark Marrington

Wendy Carlos is one of the most influential electronic musicians of the 20th century, whose groundbreaking LP, Switched-On Bach, was pivotal in elevating the Moog synthesizer to iconic status. Her highly evocative score for Stanley Kubrick's film A Clockwork Orange redefined the sound of electronic music for a generation of popular musicians in the US and Europe. Best known for her adventurous sonic re-imaginings of the music of classical composers, Carlos was also an accomplished composer in her own right, whose original work on albums such as Sonic Seasonings and Beauty In The Beast deserves equal recognition for their progressive compositional innovations and sound design techniques. 
With the aim of addressing this imbalance, this book offers a detailed track-by-track survey of all of her album releases from Switched-On Bach to Tales of Heaven And Hell, placing each recording in context in relation to musical influences, technology and thematic concepts, as well as providing analytical pointers to help navigate her classically influenced musical aesthetic. To provide a fully rounded picture the last section of the book considers a number of Carlos's miscellaneous one-off projects and evaluates the remastered editions of her earlier LPs released on the East Side Digital label during the early 2000s.

Mark Marrington is a musician, teacher and writer based in the North of England, UK. He has a wide range of musical interests including the classical guitar (about which he has written an award-winning book), quirky electronic music (some of which has appeared on BBC radio and the Dr Demento Show) and heavy metal, on which he has written several articles for academic books and journals. He is currently an Associate Professor in Music Production at York St. John University in the UK, where he gives classes on the history of record production and the techniques of electronic music composition.

Wendy Carlos: Every Album, Every Song

Brian J Robb

Ultravox made an indelible mark on the popular music of the 1980s despite never reaching the UK number one at any point: famously, 'Vienna' stalled at number two, while their only other top five single was the zeitgeist-capturing 'Dancing With Tears in My Eyes', reaching number three in May 1984. Between 1981's 'Vienna' and 1984's 'Love's Great Adventure', Ultravox scored 17 UK Top 40 hit singles and seven top ten album releases.
Fronted first by John Foxx, then Midge Ure, the band went from being an acclaimed but hitless art rock outfit to a Blitz club-era chart-storming quartet. They also proved to be a formidable live band, mixing in-vogue electronic synthesisers with drums and guitar and Billy Currie's trademark classical violin. The band became one of the most successful acts of the era, capped by their 1985 appearance at the Live Aid concert. They also made their mark with arty, distinctive, and influential music videos.
Having split following 1986's controversial U-Vox album, the 1980s Ultravox line-up regrouped in 2009, celebrating the 30th anniversary of 'Vienna' with a series of UK, US, and European tours. That led to a belated new album, 2012's Brilliant. Every album, every song - this is Ultravox.

Brian J. Robb is the New York Times and Sunday Times bestselling biographer of Leonardo DiCaprio, Johnny Depp, and Brad Pitt. He has also written books on silent cinema, the films of Philip K. Dick, Wes Craven, Laurel and Hardy, the Star Wars movies, Superheroes, Gangsters, and Walt Disney, as well as science fiction television series Doctor Who and Star Trek, and Depeche Mode for Sonicbond Publishing. His illustrated books include an Illustrated History of Steampunk and Middle-earth Envisioned, a guide to J.R.R. Tolkien's The Lord of the Rings (Winner, Best Book, Tolkien Society Awards). He is a Founding Editor of the Sci-Fi Bulletin website and lives near Edinburgh, UK.

Ultravox: Every Album, Every Song

Dominic Sanderson

Few artists can boast a career like Nick Cave, which has gone from strength to strength since the debut album from his band The Bad Seeds in 1984. Most musicians in their 60s are relegated to the periphery as the quality of their output becomes tired and predictable but Nick Cave is an exception. His 2019 album Ghosteen may arguably be his best, still sounding as potent as those Old Testament, drug-fuelled 80s albums or the mid-90s streak of classics for which the band are most renowned. Cave’s eclectic career has been fruitful, not only as a musician but as a literary mastermind whose lyrics have been analysed and theorised about on countless occasions, as he consistently and compellingly mulls over themes of religion, love, redemption, loss and death. 
This book delves into the music and lyrics of every track in The Bad Seeds’ catalogue, starting with the post-punk beginnings of From Her To Eternity through to the ambient, synth-driven soundscapes of Ghosteen. Hidden gems from the band’s two B-side compilations as well as their thrilling live albums are also included in this appraisal of a band that are still very much alive and kicking today.

Dominic Sanderson is a musician and a writer, having written for Reader’s Digest and various online blogs about anything and everything music-related. He released an EP in September 2020 and when he is not composing and recording ideas for his future musical endeavours you can find him working on his MA in English literature at the University of Liverpool. He completed his BA in Popular Music and English Literature with first-class honours and his final dissertation focussed on the alternative religious framework that Nick Cave has constructed for himself through his writing. His hometown is Wakefield, West Yorkshire, UK.

Nick Cave And The Bad Seeds: Every album, every song

Carl Ewens

While David Bowie was alive, his songs and their strange commentaries on modern life had some kind of deep significance that made sense of it all for many people. His music evokes something futuristic and prophetic to his fans. This book shed light on Bowie’s songwriting in the early, most-lauded part of his career, his much-vaunted sense of alienation and his desperate search to make music that was art.

 Everything he did was infused with a kind of indescribable oddness, like his two mismatched eyes. He had a lifelong interest in ideas about life on other worlds, and yet one of his many songs associated with this theme, ‘Life On Mars’, is more concerned with the failings of this planet. When he sang ‘Starman’ on Top Of The Pops in 1972, his arm draped around the shoulders of his talented lead guitarist Mick Ronson, he lit up a million teenage hearts.

 This is a complete examination of all the songs from Bowie’s golden years, which extends from his days as a mod saxophonist through to his astonishing 1980 hit album, Scary Monsters (And Super Creeps). His songs run the gamut from extraordinary to esoteric but were always written from the heart.

 

Carl Ewens, born in Burnley, Lancashire, in 1960, has previously published an absurdist science fiction novel, two books of poetry and a similar book about the songwriting of Marc Bolan. He also produces music under the pseudonym Psyfolk. His interests range from reading novels to football, art, photography, film and history, as well as UAPs and spirituality. He also has a degree in Social Anthropology and Comparative Religion. He is a lover of real ale but isn’t keen on the currently trendy obsession with hazy IPAs as he thinks they all taste of grapefruit. He lives in West Sussex, UK.

David Bowie 1964 -1982: Every album, every song

AC/DC are a global rock institution and big brand name. The secret to their success has always been that they are a rock ‘n’ roll band, pure and simple, undiluted by trends with a solid authenticity and no frills or pretentiousness. Chris Sutton examines the recorded output of the band in detail, helped by new interview material with former members, collaborators and friends in manager Michael Browning, drummers Peter Clack, Noel Taylor and Tony Currenti, engineer/producer Mike Fraser, logo designer Gerard Huerta, bassist Ian Hampton and engineer Dave Thoener. 
They have one of the world’s biggest-selling albums in Back In Black, but is it their best album, and which are their best songs? As well as commentary and analysis of every track on every studio album, space is also given to B-sides and out-takes, while the live albums and box sets are also discussed. The background to each album is also covered as the band navigate tragedy and setbacks with a determination to keep going – rock or bust!
Whether you wish to revisit old favourites or learn about those gems you missed, AC/DC On Track is the essential guide to this legendary band’s music.
Chris Sutton manages Smethwick Heritage Centre Museum and has written several publications for them. He has also written several plays. This book is his fourth for Sonicbond Publishing, with several more to follow. He lives in Great Malvern, UK.

AC/DC on track

G. Mick Smith

As well as his time in Mott The Hoople, Ian Hunter has had a long and adventurous solo career. In this book, we unlock the secrets behind every lyric, riff, and melody. From the soul-stirring anthems that defined an era to the hidden gems that eluded the spotlight, we leave no chord unheard. It is an immersive voyage into the evolution of a songwriter extraordinaire, as we explore the stories, inspirations, and the mind of the creative maverick that brought these songs to life. With a mix of anecdotes, in-depth analyses, and a touch of rockstar charisma, this book isn't just a collection of pages, it's a front-row seat to Hunter's musical legacy. 
Whether you've been inspired by ‘All The Young Dudes’ since its debut or you're just discovering the magic of the Defiance series, Hunter’s music has become the soundtrack to so many people’s lives. It’s a deep dive into the heart and soul of Hunter's almost unparalleled musical journey. This book will appeal to all casual or diehard fans of Mott The Hoople's legendary frontman, making it the ultimate backstage pass Hunter fans have been waiting for.

G. Mick Smith, PhD, The Doctor of Digital, is a consultant and recovering academic. He is the Chief Digital Officer at The Doctor of Digital Podcast and Smith Consulting, having formerly been an Executive Region Director and Campus Dean. Smith earned a PhD in the History of Religions from UCLA, and nine certificates in executive management and educational technology. Mick currently resides far from the madding crowd in sunny California, enjoying his parent's first new car, a 1957 Buick Special. He co-hosts The Aftermath Podcast, and wrote Burning America: In The Best Interest Of The Children?

Ian Hunter On Track

Peter Braidis

Forming when punk was starting to become a force, The Police – led by drummer Stuart Copeland and singer/bassist Sting - used this emerging new form of music to create a sound that was both fresh, energetic and sophisticated. An early incarnation with guitarist Henry Padovani ended when Andy Summers joined the band, and under the innovative management of Miles Copeland, The Police took on the world.
From 1978 to 1983, the band released five magnificent albums that took in rock, reggae, and world music. A succession of massive hit singles, including ‘Message In A Bottle’ and the classic and often misunderstood ‘Every Breath You Take’ also cemented their success. By 1983, they’d become arguably the biggest band in the world, but egos and arguments took their toll, and the group split in 1986. Sting would go on to massive solo success, but a reunion tour in the 2000s broke box office records and finally closed the door on the band.
This book details every song and album from the first single to the last, making it a comprehensive guide to the music of one of the greatest bands in music history, with sales of over 100 million worldwide.

Peter Braidis is a graduate of Rutgers University with a B.A. in History and Journalism. He currently works in education at Haddon Township High School in the state of New Jersey, USA. Music (especially Thin Lizzy) and helping children and animals are his passions, as well as pretty much any pasta dish. He has written on sports and music for the Philadelphia Inquirer, several magazines and authored the book Unstrung Heroes: Fifty Guitar Greats You Should Know. This is his second book for Sonicbond Publishing, having written Asia On Track in 2020.

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