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Langston Hughes

Hailed by Arnold Rampersad as “[Hughes’] most brilliant book of poems,” Fine Clothes to the Jew is the stunning sophomore collection of poetry that—in conjunction with The Weary Blues—solidified Langston Hughes as a literary powerhouse.

Originally published in 1927, Fine Clothes to the Jew is both a continuation and extension of his previous volume of verse; continuing to utilize the rhythm and function of Black classical music—the blues, as it were—to capture a scene of Black life in America, only this time with a less pristine picture. 

Turning his focus from the tender and nostalgic depiction of the culture, Hughes opts to reveal the raw and unfiltered realities of Harlem; the depression, the poverty, and the struggle of those outside the purview of the Talented Tenth; creating what is arguably, one of the most significant collections of poetry ever published and one of the most-overlooked pieces of work in African-American literary history. 

Featuring such poems as, “Po’ Boy Blues,” “Death of Do Dirty,” “Song For a Dark Girl,” and “Lament Over Love,” Fine Clothes to the Jew is a must-read book for fans of Langston Hughes and a forgotten classic of the Harlem Renaissance.
 
Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

 

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Mint Editions

Mint Editions—Black Narratives

Fine Clothes to the Jew

Jessie Redmon Fauset

Revisit the critically acclaimed sophomore novel of Crisis editor Jessie Redmon Fauset, Plum Bun: A Novel Without a Moral (1928).

After the death of their parents, the Murray family consists of just two people—Virginia, the younger darker-skinned teacher; and Angela, the elder fair-skinned artist—both Black, both women. While Virginia embraces her Blackness entirely; goes on to move to Harlem, teach Black children and marry a Black man, Angela outright rejects it—opting to move to New York, pass for white, and use her privilege to shatter the glass ceiling of her race.

But is it enough? While the act of passing gets her foot in the door; allows her the opportunity for artistic success and even leads to a romantic affair, as a woman there’s only so far she can go and only so much respect she can garner. If being a woman, even a white woman, limits the ways in which she is able to seek fulfilment in her life, what is the point in trying to pass at all?

Semi-autobiographical in nature, Plum Bun: A Novel Without a Moral is a coming-of-age novel that questions the intersectionality of race, class, and gender in the early twentieth century.
 
Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

 

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Plum Bun: A Novel Without a Moral

Claude McKay

Revisit the debut novel of one of the “New Negroes” of the Harlem Renaissance filled with Niggerati sensibilities.

Disgruntled by the treatment of Black soldiers in the military, Jake Brown heads to Harlem—the Mecca of Black creativity—to rebuild his life anew. Upon arriving, he discovers that Harlem isn’t exactly the paradise of racial uplift and unity that one might read about in books; but then again, it’s a far cry from the volatile streets of London and the isolation faced abroad. Meeting new faces and taking up odd jobs, Jake sets out on a journey to discover who he is as a Black man in the world and where he can truly belong.Home to Harlem (1928) is the bestselling, award-winning novel of Jamaican-American poet, Claude McKay that explores the spirit of the uprooted Black vagabond within Harlem’s legendary nightlife.
 
Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

 

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Home to Harlem

George S. Schuyler

What would happen if Marcus Garvey had achieved his dreams by force? Satirizing of one of the most influential figures of twentieth century Black America, George S. Schuyler’s Black Empire is a remarkable look into the complicated politics of race and class.

 After witnessing a murder in Harlem, the promising young Black journalist, Carl Slater, is kidnapped by the incredibly charismatic but deranged Dr. Belsidus. Having secretly formed a Black Internationale, the doctor has plans to upset alliances between Europe and the United States when the time is right. As Carl slowly discovers the depth of the doctor’s insanity and witnesses the fallout from the ensuing revolution, he watches as the dream of an Africa for Africans is fully realized but questions the cost.

Professionally typeset with a beautifully designed cover, this edition of Black Empire reimagines a classic of satire and Black speculative fiction for the modern reader.

Black Empire

W. E. B. Du Bois

The Comet (1920) is a science fiction story by W. E. B. Du Bois. Written while the author was using his role at The Crisis, the official magazine of the NAACP, to publish emerging black artists of the Harlem Renaissance, The Comet is a pioneering work of speculative fiction which imagines a catastrophic event not only decimating New York City, but bringing an abrupt end to white supremacy. 

“How silent the street was! Not a soul was stirring, and yet it was high-noon—Wall Street? Broadway? He glanced almost wildly up and down, then across the street, and as he looked, a sickening horror froze in his limbs.”

Sent to the vault to retrieve some old records, bank messenger Jim Davis emerges to find a city descended into chaos. A comet has passed overhead, spewing toxic fumes into the atmosphere. All of lower Manhattan seems frozen in time. It takes him a few moments to see the bodies, piled into doorways and strewn about the eerily quiet streets. When he comes to his senses, he finds a wealthy woman asking for help. Soon, it becomes clear that they could very well be the last living people in the planet, that the fate of civilization depends on their ability to come together, not as black and white, but as two human beings. But how far will this acknowledgment take them?

This edition of W. E. B. Du Bois’ The Comet is a classic work of African American literature reimagined for modern readers.
 
Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

 

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

The Comet

Paul Laurence Dunbar

“Breezes blowin’ middlin’ brisk, / Snowflakes thro’ the air a-whisk, / Fallin’ kind o’ soft an’ light, /Not enough to make things white, / But jest sorter siftin’ down / So ’s to cover up the brown /Of the dark world’s rugged ways / ’N’ make things look like holidays. /Not smoothed over, but jest specked, / Sorter strainin’ fur effect, / An’ not quite a-gittin’ through / What it started in to do. / Mercy sakes! It does seem queer / Christmas day is ’most nigh here. / Somehow it don’t seem to me /Christmas like it used to be,— / Christmas with its ice an’ snow, / Christmas of the long ago.” 

Once praised by Frederick Douglass as “the most promising young colored man in America,” Paul Laurence Dunbar was an exceptionally gifted poet who helped lay the foundation of African American literature and was the first African American poet to achieve major success across the color line. Published posthumously nearly ten years after his untimely death, Speakin’ O’ Christmas and Other Christmas Poems, collects over a dozen of his most festive, holiday-themed verses into a single volume, including, “Chrismus is A-Comin’,” “Soliloquy of a Turkey,” “Christmas in the Heart,” and the titular, “Speakin’ O’ Christmas.”

Celebrating both the spirit of the holiday season and the talent of the “Negro dialect” poet, Paul Laurence Dunbar, Speakin’ O’ Christmas and Other Poems is a delightful collection of poetry for readers of all ages.
 
Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

 

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

Mint Editions—Black Narratives - سلسلة الكتب

Mint Editions—Black Narratives - سلسلة الكتب

Mint Editions—Black Narratives كتب بالترتيب

الاستماع والقراءة