Reel Spirituality Monograph Series
Series Description
The Reel Spirituality Monograph Series features a collection of theoretically precise yet readable essays on a diverse set of film-related topics, each of which makes a substantive contribution to the academic exploration of Theology and Film. The series consists of two kinds of works: 1) popular-level introductions to key concepts in and practical applications of the Theology and Film discipline, and 2) methodologically rigorous investigations of theologically significant films, filmmakers, film genres, and topics in cinema studies. The first kind of monograph seeks to introduce the world of Theology and Film to a wider audience. The second seeks to expand the academic resources available to scholars and students of Theology and Film. In both cases, these essays explore the various ways in which "the cinema" (broadly understood to include the variety of audio-visual storytelling forms that continues to evolve along with emerging digital technologies) contributes to the overall shape and trajectory of the contemporary cultural imagination. The larger aim of producing both scholarly and popular-level monographs is to generate a number of resources for enthusiasts, undergraduate and graduate students, and scholars. As such, the Reel Spirituality Monograph Series ultimately exists to encourage the enthusiast to become a more thoughtful student of the cinema and the scholar to become a more passionate viewer.
Series Editors:
Kutter Callaway
Elijah Lynn Davidson
Reel Spirituality Monograph Series
Series Description
The Reel Spirituality Monograph Series features a collection of theoretically precise yet readable essays on a diverse set of film-related topics, each of which makes a substantive contribution to the academic exploration of Theology and Film. The series consists of two kinds of works: 1) popular-level introductions to key concepts in and practical applications of the Theology and Film discipline, and 2) methodologically rigorous investigations of theologically significant films, filmmakers, film genres, and topics in cinema studies. The first kind of monograph seeks to introduce the world of Theology and Film to a wider audience. The second seeks to expand the academic resources available to scholars and students of Theology and Film. In both cases, these essays explore the various ways in which "the cinema" (broadly understood to include the variety of audio-visual storytelling forms that continues to evolve along with emerging digital technologies) contributes to the overall shape and trajectory of the contemporary cultural imagination. The larger aim of producing both scholarly and popular-level monographs is to generate a number of resources for enthusiasts, undergraduate and graduate students, and scholars. As such, the Reel Spirituality Monograph Series ultimately exists to encourage the enthusiast to become a more thoughtful student of the cinema and the scholar to become a more passionate viewer.
Series Editors:
Kutter Callaway
Elijah Lynn Davidson
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Nederlands
Nederland