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Descubre un mundo infinito de historias

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Anne Raeff

"You’ll see how beautiful it is in the morning—jungle all around us," says one of the characters in Anne Raeff’s story collection, referring to the way that the jungle that threatens can also provide solace. The jungle in these stories is both metaphorical and real, taking the reader from war-torn Europe to Bolivia and from suburban New Jersey to Vietnam. Raeff examines how war and violence, like the jungle, seep into our lives, even when we are no longer in danger and long after the war is over.

While struggling with fear, danger, and displacement, the characters of The Jungle around Us form strange and powerful bonds in distant and unlikely places. A family that has escaped Vienna ends up on the edge of the Amazon, where the parents fight yellow fever and the daughter falls in love with a village boy. Two sisters learn lessons about race and war during the Columbia University riots of1968. A young girl confronts death when her former babysitter is mysteriously murdered. In Paraguay, two adult sisters confront their loneliness while their precocious young charge faces off with a monkey. Raeff ’s stories are about embracing the world though the world contains everything we fear.

University of Georgia Press

Flannery O'Connor Award for Short Fiction Ser.

The Jungle Around Us: Stories

Lisa Graley

This collection bristles and hums with the rugged resilience one encounters in southern and Appalachian fiction where ghosts of loved ones and livestock alike haunt an underworld of lonely trails. Set in West Virginia, the stories take up residence with rural characters who defend their mailboxes against teenagers, bathe and feed their bedridden elders, and circle the inflated orbs of love and desire in high school gymnasiums. Whole lifetimes flare in an instant as characters scramble to sift through the past’s wreckage to find some small miracle in the present.

If there is nostalgia, it’s for a South without billboards, talk shows, and children with iPods dangling from their ears. It’s for a South where you can go pick a ripe tomato to slice for the mayonnaise on your sandwich because you found time to plant a garden. And if there’s grace, it is in the careful wading through a shifting current to reach possibilities snagged at the bottom of a trotline.

In lean, muscular prose, Lisa Graley pays homage to the daily chores that makeup a lifetime. With delicate precision, she renders the boundaries between fear and courage, indifference and compassion as thin as the blade of a shovel.

The Current That Carries: Stories

iamak Vossoughi

The stories in Better Than War encompass narratives from a diverse set of Iranian immigrants, many searching for a balance between memories of their homeland and their new American culture. The everyday life of each character subtly reflects viewpoints that are simultaneously Iranian and American, of all ages and circumstances. These stories deal with family, friends, relationships, urban life, prison, school, and adolescence. They also contain powerful messages about what people want, need, and deserve as citizens and human beings. For instance, in the story “Better Than War” a young Iranian boy must overcome the fear of asking an American girl on a date. His friend tells him there is no shame in pouring your heart out to someone you like. The boy must realize that expressing emotion and sorrow is worth the embarrassment because it shows loved ones that you are better than hatred—and especially better than war.
 All Iranian immigrants, young or old, carry with them a vivid past in their contemporary life. These histories help provide perspective, thankfulness, and virtue to their families and friends. Vossoughi’s Better Than War is about growing up, coming of age, and raising children in America while still remembering the importance of retaining Iranian pride.

Better Than War: Stories

Toni Graham

The people in these eight interlaced stories are “bound together by the worst sort of grief,” the kind that can devour you after someone close takes his or her own life. Wednesday evenings in Hope Springs, Oklahoma, offer the usual middleAmerican options: TV, rec league sports, eating out, and church. For Slater, Holly, and SueAnn, it is the night their suicide survivors group meets. They once felt little else in common, aside from a curiosity about Jane, the group facilitator, but now they understand how deeply they need each other.

SueAnn mourns for her son, who hanged himself. Slater is left impotent by the loss of his father, who deliberately overdosed on pills and alcohol. Holly can’t let go of her boyfriend, who shot himself. But if suicide has stolen their capacity to laugh, it has honed their sense of absurdity. Even in the darkest undertones of what her characters think and say, Toni Graham reveals a piercingly funny cast, short on patience with themselves and the incongruous pieties of daily life in the Heartland.

If they weren’t already Hope Springs outsiders, suicide has made sure of it. Failing to fit in, they try to change, if only for themselves: Holly joins an online dating service; SueAnn works on her vocabulary; Slater gets liposuction. They keep moving forward and backward and, when their paths cross outside of their regular Wednesday meetings, sometimes a little sideways.

The Suicide Club: Stories

Kirsten Sundberg Lunstrum

The stories in Kirsten Sundberg Lunstrum’s new collection are about finding resilience in the face of adversity. Following losses big and small, environmental and familial, universal and personal, the best of us try to recover and rebuild. Lunstrum asks: How do we keep going in the face of grief or disappointment when love fails or disaster strikes? How do we maintain the stamina to carry on in an uncertain world? The characters in her stories are living these questions and learning to reconstruct themselves, their families, and their futures from the wreckage of their broken pasts.

What We Do with the Wreckage: Stories

Colette Sartor

The women in the linked short story collection Once Removed carry the burdens imposed in the name of intimacy—the secrets kept, the lies told, the disputes initiated—as well as the joy that can still manage to triumph. A singer with a damaged voice and an assumed identity befriends a silent, troubled child; an infertile law professor covets a tenant’s daughterly affection; a new mother tries to shield her infant from her estranged mother’s surprise Easter visit; an aging shopkeeper hides her husband’s decline and a decades-old lie to keep her best friends from moving away.

With depth and an acute sense of the fragility of intimate connection, Colette Sartor creates stories of women that resonate with emotional complexity. Some of these women possess the fierce natures and long, vengeful memories of expert grudge holders. Others avoid conflict at every turn, or so they tell themselves. For all of them, grief lies at the core of love.

Once Removed: Stories

Love, in some of the infinite ways we may know it, is the shared concern of these stories, which have been chosen from among the hundreds that have appeared in the prestigious Flannery O’Connor Award for Short Fiction series.

More than seventy volumes, which include approximately eight hundred stories, have won the Flannery O’Connor Award. This stunning trove of always engaging, often groundbreaking short fiction is the common source for this anthology on love—and for planned anthologies on such topics as work, family, animals, children, and more.

Emerging love, or love on its way out the door. Love that transcends, or love that just stubbornly hangs on. These fourteen stories give us at least that many new ways of looking at a state of mind that can send us either soaring or plummeting, all in a heartbeat.

Hold That Knowledge: Stories about Love from the Flannery O'Connor Award for Short Fiction

Death, that ending of all endings, is the shared concern of these stories, which have been chosen from among the hundreds that have appeared in the prestigious Flannery O’Connor Award for Short Fiction series.

More than seventy volumes, which include approximately eight hundred stories, have won the Flannery O’Connor Award. This stunning trove of always engaging, often groundbreaking short fiction is the common source for this anthology on death–and for planned anthologies on such topics as work, family, animals, children, and more.

Most of the expected ways by which we take our leave are covered here: accident, murder, suicide, illness, old age. Perhaps less expected is how, in these stories, a matter we’d rather not think about becomes the stuff of fiction so compelling that we can’t stop thinking about it. 

How can something so final and certain spread so much ambiguity in its wake? What did we think of the departed, and what did they think of us? How long will they be around—in our hearts and heads–even after they’re gone? How will we forgive those who may have caused the death of a loved one? These fifteen stories give us many new ways of looking not only at death but at the lives that must go on in its aftermath.

The Slow Release: Stories about Death from the Flannery O'Connor Award for Short Fiction

These stories offer layered, perceptive takes on what home means to us. The people we meet in these stories are often traveling to and from home—thinking about where they have come from, where they are headed, and how that journey will impact their futures. Although the stories approach homecoming and homesickness through varied moods and styles, they all come around to confronting a shared need: a place to call home.

Spinning Away from the Center: Stories about Homesickness and Homecoming from the Flannery O'Connor Award for Short Fiction

These stories amount to something more than a celebration of the holidays dotting our calendars from month to month. Even though holidays can occasion a return to the familiar, these stories challenge traditional associations. 

Each story serves to complicate how we observe the human observation of holidays and offers a nuanced understanding of related themes such as family and motherhood, travel, grief and mourning processes, and memory. More generally, holidays are days of observance, and that aspect alone offers a lot to unpack.

Rituals to Observe: Stories about Holidays from the Flannery O'Connor Award for Short Fiction

Front porches, family cars, playgrounds, swimming pools: from such familiar haunts of childhood, these stories look out on the world through young eyes and hearts. Wise beyond their years—or soon to be—Ruthie, Omar, J. J. , and the other kids in these stories veer in and out of touching distance to hard lessons about trust, love, and mortality. However engaged or aloof, grownups are always nearby. Far-from-perfect emissaries to the realm of adulthood, they pose questions for children even as they offer answers.

Down on the Sidewalk: Stories about Children and Childhood from the Flannery O'Connor Award for Short Fiction

Patrick Earl Ryan

If We Were Electric’s twelve stories celebrate New Orleans in all of its beautiful peculiarities: macabre and magical, muddy and exquisite, sensual and spiritual. The stunning debut collection finds its characters in moments of desire and despair, often stuck on the verge of a great metamorphosis, but burdened by some unreasonable love. These are stories about missed opportunities, about people on the outside who don’t fit in, about the consequences of not mustering enough courage to overcome the binds. 

In “Feux Follet,” an old man’s grief attracts supernatural lights in the dark Louisiana swamps. An exploding transformer’s raw, unnerving energy in the title story matches the strange, ferocious temper of an unlucky hustler. “Blackout” sets the profound numbness of a young man physically abused by his mentally unstable partner beside the meaningful beauty of an unexpected moment of joy with someone else. The teenage narrator in “Before Las Blancas” is so overwhelmed by his sexuality that he abandons everything and everyone he’s known to live in a happy illusion . . . in Mexico. And “Where It Takes Us” is a poignant, understated snapshot of a gay man who accompanies his straight, HIV-positive brother to the race track to bond again.

If We Were Electric: Stories

Travel, and the exhilarating experiences it offers us, is the shared concern of these stories, which have been chosen from among the hundreds that have appeared in the prestigious Flannery O'Connor Award for Short Fiction series.

More than seventy volumes, which include approximately eight hundred stories, have won the Flannery O'Connor Award. This stunning trove of always engaging, often groundbreaking short fiction is the common source for this anthology on childhood—and for planned anthologies on such topics as family, gender and sexuality, animals, and more.

Travel can whisk us away to craggy mountainsides and sunny coastlines or bustling cities and mysterious jungles. Travel can excite and rejuvenate or intimidate and overwhelm. These sixteen stories reflect upon our immense, intriguing world and our explorations of it, whether you choose to follow the beaten path or abandon it.

A Perfect Souvenir: Stories about Travel from the Flannery O'Connor Award for Short Fiction

Work, and the coffee-fuelled day-to-day grind, is the shared concern of these stories, which have been chosen from among the hundreds that have appeared in the prestigious Flannery O'Connor Award for Short Fiction series.

More than seventy volumes, which include approximately eight hundred stories, have won the Flannery O'Connor Award. This stunning trove of always engaging, often groundbreaking short fiction is the common source for this anthology on work—and for planned anthologies on such topics as family, gender and sexuality, animals, and more.

Sometimes work is rewarding, and sometimes it’s just demanding. From the cubicle to the courtroom, from the stage to the station. These fifteen stories reflect upon the time we dedicate to the jobs we do, from the moment we begin our commute to the second we return home, and every hardworking hour in between.

A Day’s Pay: Stories about Work from the Flannery O'Connor Award for Short Fiction

Growing up can mean growing pains and the joys of new independence. With maturity comes the shift from infinite

possibilities to imminent realities. These thirteen stories describe the slow and subtle experience of growing up, allowing us to reflect upon the forces that pushed us toward adulthood and away from the familiar ground of youth that must be left behind if we are to learn how to soar on our own.

Growing Up: Stories about Adolescence from the Flannery O'Connor Award for Short Fiction

These stories are enveloped by change and the changes that shift the trajectories of our lives: change that shatters us, change that opens the world, and change from which we can never come back. These fourteen stories tell us about extensive and inevitable changes and how we realign ourselves and our lives, if we can.

Changes: Stories about Transformation from the Flannery O'Connor Award for Short Fiction

Kate McIntyre

In this scary, funny, and slyly political short story collection, Kate McIntyre conjures a fever dream of contemporary Kansas. Boundaries between fantasy and reality blur, and grotesque acts birth strange progeny. A mother must choose between her children and her personal safety when her husband steadily excavates a moat around their country home, his very own little border wall. A Kansas politician grapples with international notoriety after an accident traps salt miners hundreds of feet underground—in the same salt mine where his brother was murdered. A bigot’s newly transplanted liver gives him a taste for upbeat 1980s dance tracks while nudging him toward darker plans. And across several stories, we follow Miriam, a young overachiever hell-bent on leaving her home state who is lured back after college to teach elementary school in a rural community. In Culvert, Kansas, Miriam finds closed mouths and big secrets: the toxic waste storage for the battery factory leaches into the soil; the hog farm waste lagoons have sprung leaks; and her students, at turns psychic, lethargic, and aggressive, might not be human.

Mad Prairie: Stories and a Novella

Toni Ann Johnson

In 1962 Philip Arrington, a psychologist with a PhD from Yeshiva, arrives in the small, mostly blue-collar town of Monroe, New York, to rent a house for himself and his new wife. They’re Black, something the man about to show him the house doesn’t know. With that, we’re introduced to the Arringtons: Phil, Velma, his daughter Livia (from a previous marriage), and his youngest, Madeline, soon to be born. They’re cosmopolitan. Sophisticated. They’re also troubled, arrogant, and throughout the linked stories, falling apart.

We follow the family as Phil begins his private practice, as Velma opens her antiques shop, and as they buy new homes, collect art, go skiing, and have overseas adventures. It seems they’ve made it in the white world. However, young Maddie, one of the only Black children in town, bears the brunt of the racism and the invisible barriers her family’s money, education, and determination can’t free her from. As she grows up and realizes her father is sleeping with white women, her mother is violently mercurial, and her half-sister resents her, Maddie must decide who she is despite, or perhaps precisely because of, her family.

Light Skin Gone to Waste: Stories

Carol Roh Spaulding

This collection of linked stories follows four generations of the Songs, a Korean American family, beginning in 1924 just prior to the Immigration Act and extending to near the end of the century. Linked stories, or stories that form a story cycle, are a common book-length form seen in Asian American literature that accommodates multiple perspectives across generations and locations. Through this story cycle, patterns emerge as cultural identity and individuality, often in tension with one another, shape choices and outcomes. 

With these stories, Carol Roh Spaulding charts shifting definitions of “Americanness” across time through the arc of a family narrative. She also explores desire and belonging as articulated, in turns, by the mother, father, granddaughter, great-grandson, and even a ghost child who died after a tragic accident. But these linked stories center on the life experiences of Gracie Song. They follow her from girlhood to young motherhood, through her children’s teenage years, and finally to her elderly solitude, when to her great astonishment she finds romance with a younger man and reconciliation with an estranged daughter—both unexpected gifts of later life.

Waiting for Mr. Kim and Other Stories

Iheoma Nwachukwu

These eight brutally beautiful stories are struck full of fragmented dreams, with highly developed thieves, misadventurers, and displaced characters all heaving through a human struggle to anchor themselves in a new home or sometimes a new reality. This book is about young Nigerian immigrants who bilocate, trek through the desert, become temporary Mormons, sneak through Russia, and yearn for new life in strange new territories that force them to confront what it means to search for a connection far from home.

Japa and Other Stories came out of a struggle Iheoma Nwachukwu faced when trying to orient himself in the United States of 2017 to 2021, when attitudes toward immigrants suddenly shifted. The Japa characters explored in this book are immigrants who have no plans to return to their home country—for voluntary reasons—although they retain a strong connection to home.

Flannery O'Connor Award for Short Fiction Ser. - La serie de libros

Flannery O'Connor Award for Short Fiction Ser. - La serie de libros

Flannery O'Connor Award for Short Fiction Ser. libros en orden

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