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Anthony Grooms

“A real-life racially motivated mass killing from 1946 is boldly and deeply reimagined [in this] incisive, gripping and empathetic novel” (Kirkus, starred review).

Inspired by true events, The Vain Conversation reflects on the 1946 lynching of two black couples in Georgia from the perspectives of three characters—Bertrand Johnson, one of the victims; Noland Jacks, a presumed perpetrator; and Lonnie Henson, a witness to the murders as a ten-year-old boy. Lonnie’s inexplicable feelings of culpability drive him in a search for meaning that takes him around the world, and ultimately back to Georgia, where he must confront both Jacks and his own demons.

In this stirring and incisive narrative, Anthony Grooms seeks to advance the national dialogue on race relations. With complexity, satire, and surprising moments of levity, he explores what it means to redeem and be redeemed. Deeply probing the issues of American race violence, The Vain Conversation also speaks to the broader issues of oppression and violence everywhere.

Foreword by poet, painter, and novelist Clarence Major.

Afterward by bestselling author T. Geronimo Johnson.

University of South Carolina Press

Story River Books

The Vain Conversation: A Novel

Katherine Clark

A high-society Southern satire about an heir's battle with his domineering mother, society's expectations, and his own mental health

The Ex-Suicide, Katherine Clark's fourth Mountain Brook novel, is a satirical comedy of manners about a prominent Alabama family living across the street from the Birmingham Country Club. The house happens to be where the writer Walker Percy lived as a child with his family until his father committed suicide in the attic with a shotgun. The only son of the current residents, Hamilton "Ham" Whitmire has several Ivy League degrees as well as a generous trust fund but is striving mainly to be an "ex-suicide," as defined by Percy's writings. As a result of Ham's intellectual aspirations and philosophical principles, and thanks to his trust fund, he has succeeded only in figuring out what he does not want to do with his life. Unfortunately this comprises just about all known occupations, but especially any involving the family business, which his imperious, society-matron mother insists he take over from his aging father. 

When the novel opens, the thirty-seven-year-old son has recently returned to his hometown and taken a teaching position at a historically black college in the "other" Birmingham—not the one where he grew up. As an anxiety-ridden, panic-attack-prone depressive in a perpetual state of existential crisis, Ham must plan carefully how to get through each day without putting his life in the hands of the mental-health-care professionals. But, according to his mother, he must also take over the reins of the family business, get married, and carry on the family name. 

Ham isn't in Birmingham long before he learns his college is also in an existential crisis and fighting to keep its doors open. Even worse, circumstances force him to take at least an interest in the family business. While seeking refuge and stability in the waiting room of his therapist's office, he finds himself in the emotional thrall of a beautiful old flame who is in the midst of a devastating divorce. She is anxious to have Ham back in her life, at least as an escort, but probably more. 

Will Ham buckle under all the pressures—as Percy's father famously did in the attic of what is now his parents' home? Or will he be able to pull himself together and live up to society's (and his mother's) expectations? Fortunately Ham is one of Norman Laney's former pupils, and Laney never gives up on a student. In the midst of Ham's crisis, Laney steps into the breach in hopes that Ham chooses life as an ex-suicide.

The Ex-suicide: A Mountain Brook Novel

A political satire that reimagines George Wallace's last run for governor of Alabama

It's the summer of George Wallace's last run for governor of Alabama in 1982, and the state is at a crossroads. In Katherine Clark's All the Governor's Men, a political comedy of manners that reimagines Wallace's last campaign, voters face a clear choice between the infamous segregationist, now a crippled old man in a wheelchair, and his primary opponent, Aaron Osgood, a progressive young candidate poised to liberate the state from its George Wallace-poisoned past. 

Daniel Dobbs, a twenty one-year-old Harvard graduate and South Alabama native, is one of many young people who have joined the campaign representing hope and change for a downtrodden Alabama. A political animal himself, Daniel possesses so much charm and charisma that he was nicknamed "the Governor" in college. Nowhe is engaged in the struggle to conquer once and for all the malignant man Alabamians have traditionally called "the Governor." 

This historic election isn't the only thing Daniel wants to win. During his senior year, he fell in love with a freshman girl from Mountain Brook, the "Tiny Kingdom" of wealth and privilege, a world apart from his own Alabama origins. A small-town country boy, Daniel desperately wants to gain the favor of his girlfriend's family along with her mentor, the larger-than-life English teacher Norman Laney. Daniel also wants to keep one or two ex-girlfriends firmly out of the picture. In the course of his summer, he must untangle his complicated personal life, satisfy the middle-class dreams of his parents for their Harvard-educated son, decide whether to enter law school or launch his own political career, and, incidentally, help his candidate defeat George Wallace, in a close and increasingly dirty race. 

All the Governor's Men is a darkly comic look at both the political process in general and a significant political chapter in Alabama history. This second novel in Katherine Clark's Mountain Brook series depicts the social and political landscape of an Alabama world that is at once a place like no other and at the same time, a place like all others.

All the Governor's Men: A Mountain Brook Novel

Eric Morris

Jacob Jump, the dark and meticulously crafted first novel from Eric Morris, follows a weeklong ill-fated boating trip down the Savannah River from Augusta, Georgia, to the lighthouse at Tybee Island. Chance and danger trump planning and intention at every turn, and the pull of the historic river and of fate itself propels Morris's characters with unrelenting force.

Old friends Thomas Verdery and William Rhind, each seeking temporary escape from the failures of their lives, take to the river with Rhind's father. Verdery, a native southerner, has left his job and lover in Nepaug, Connecticut, while Rhind has lost his wife and child to his drinking. Encounters with dangerous weather and unhinged locals imperil the trio, who are held at gunpoint when they try to dock and soon are fighting among themselves. The hazards of the trip and a shocking loss along the way exacerbate William Rhind's drinking and tendencies toward violence. When Verdery and Rhind must become reluctant custodians to young Caron Lee, a lost girl from the backwoods family that had previously accosted them, tensions build toward explosive ends as the serene open waters of the Atlantic Ocean wait just beyond reach on the unknown, unknowable horizon.

Guided by a host of influences from William Faulkner and Ernest Hemingway to Cormac McCarthy, James Dickey, and Ron Rash, Morris's prose brings readers deep into the uncertainties of a still-wild southern landscape and of the frailties of the human heart yearning for past and future alike while pulled along by the inescapable current of the present.

Best-selling writer and Story River Books editor at large Pat Conroy provides a foreword to the novel.

Jacob Jump: A Novel

Mary Hood

A Clear View of the Southern Sky reveals women in the twenty-first century doing what women have always done in pursuit of life, liberty, and happiness. In each of the ten tales from southern storyteller Mary Hood, women have come—by circumstances and choice—to the very edge of their known worlds. Some find courage to winnow and move on; others seek the patience to risk and to stay. Along the way hearts, bonds, speed limits, fingernails, and the Ten Commandments get broken. Dust settles, but these women do not. 

In the title story, a satellite dish company promises that happiness—or at least access to its programming—requires just a TV and a clear view of the southern sky. The short story itself reveals the journey of a Hispanic woman whose mission is to assassinate a mass murderer, an agenda triggered by post-traumatic stress wrought by seeing the murderer's cynical grin on a news program. We follow her into the shadow of an enormous satellite dish on a roof across the street from the courthouse and ultimately into a women's prison English-as-Second-Language class where she must confront her life. She has slept but never dreamed, and now she wakes.

In other stories Hood introduces us to a kindergarten teacher, stunned by a student's blurted-out question, as she discovers her deepest vocation and the mystery of its source. We meet a widow who befriends a young neighbor, only to realize they must keep secrets from each other and hold fast to their hope. A woman trucker discovers the depth of her love as she imagines her cell phone calls—and her sweetheart's own messages—winging their way, tower to tower, along her interstate route. Two stories deal with one man and two of his wives and how they learn the lessons only love can teach about the reach and limitations of ownership and forever. The collection concludes with the novella "Seambusters," in which a diverse cast of women workers in a rural Georgia mill sew camouflage for U.S. soldiers in Afghanistan. The women are part of a larger purpose, and they know it. When the shadow of death passes over the factory, each woman and the entire community find out what it really means to have American Pride.

New York Times best-selling writer and Story River Books editor at large Pat Conroy provides a foreword to the collection.

A Clear View of the Southern Sky: Stories

Pam Durban

In Three Little Love Stories, accomplished storyteller Pam Durban introduces us to a trio of women who have known love, hurt, and the oftentimes narrow distance between the two. "Riddle Me This" finds a woman freed from a dangerous marriage still able to recall with wonder and fondness her first encounter with her ex. In "All Hallows Eve" readers meet a couple stripped of costumes to reveal their vulnerable pasts in a moment of sheltering embrace. "Little Bone" asks if a patient, trusting love can stand as a cure for all of the haunting dangers of isolation. In each tale, Durban demonstrates her masterful command of evocative language and short form fiction as she delves into the complexities of the human experience of love.

The Three Little Love Stories—"Riddle Me This," "All Hallows Eve," and "Little Bone,"—were previously published in Shenandoah and are an excerpt from Soon: Stories, Pam Durban's new collection from Story River Books exploring the myriad ways people lose, find, and hold on to one another.

Three Little Love Stories: An Excerpt from Soon: Stories

Mark Powell

"'You set yourself up as judge, jury, and executioner,' Pamela had said, but that was wrong: you set yourself up as angel, and await the word of God." Luther Redding lost his job, and almost lost his wife, Pamela, and teenaged daughters Katie and Lucy, when the real estate bubble burst in Florida. Now he pilots a Reaper drone over the mountains of Afghanistan from a command center in the bowels of Tampa's MacDill Air Force Base, studying a target's pattern of life and awaiting the command to end that life. Meanwhile Bobby Rosen has returned home from his tours in Iraq to a broken marriage and an estranged son, his promising military career cut short in a moment of terrible violence in a Sadr City marketplace. As the tales of Luther and Bobby unfold, Mark Powell masterfully engages with the vexing, bifurcated lives of combatants in the global war on terror, those who are simultaneously here and there and thus never fully freed from the life-and-death chaos of the battlefield. 

As Bobby sets off on a drug-fueled road trip with his brother Donny, newly released from prison and consumed by his own inescapable impulses, a sudden death in the Redding household sends Luther's daughter Katie spiraling into grief and self-destruction. Soon the lives of the Reddings and the Rosens intersect as the collateral damage from the war on terror sends these families into a rapid descent of violence and moral ambiguity that seems hauntingly familiar to Bobby while placing Katie in a position much like her father's—more removed witness than active participant in the bloody war unfolding in front of her. Overarching questions of faith and redemption clash with the rough-hewn realities of terror and loss, all to explosive ends in Powell's dark vision of modern Americana. 

Novelist Ron Rash has deemed Powell "the best Appalachian novelist of his generation." In this, his fourth novel, Powell broadens the southern backdrop of his earlier work into a sprawling thriller taking readers from the Middle East to Charleston, southern Georgia, Tampa, Miami, New Orleans, and into the storied American West. In its themes, perspectives, and pacing, The Sheltering recalls the work of Robert Stone, Jim Harrison, and Ben Fountain while further establishing Powell as a unique voice capable of interrogating unfathomable truths with a beauty and cohesion of language that challenges our assumptions of the human spirit.

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