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Stephanie Powell Watts

In these powerfully rendered, prizewinning stories, working-class African Americans across the South strive for meaning and search for direction in lives shaped by forces beyond their control

The ten stories in this resonant collection deal with both the ties that bind and the gulf that separates generations, from children confronting the fallibility of their own parents for the first time to adults finding themselves forced to start over again and again.

In “Highway 18”a young Jehovah’s Witness going door to door with an expert field-service partner from up north is at a crossroads: will she go to college or continue to serve the church? “If You Hit Randall County, You’ve Gone Too Far”tells ofa family trying to make it through a tense celebratory dinner for a son just out on bail. And in the collection’s title story, a young girl experiences loss for the first time in the fallout from her father’s relationship with her babysitter.

Startling, intimate, and prescient on their own, these stories build to a kaleidoscopic understanding of both the individual and the collective black experience over the last fifty years in the American South. With We Are Taking Only What We Need, Stephanie Powell Watts has crafted an incredibly assured and emotionally affecting meditation on everything from the large institutional forces to the small interpersonal moments that impress upon us and direct our lives.

Ecco

Art of the Story

We Are Taking Only What We Need: Stories

Kathleen Collins

A collection of newly discovered and never-before-published stories by the late Kathleen Collins, a brilliant yet little-known African American writer, artist, and filmmaker.

Exuberant, poignant, perceptive, and full of grace, these sixteen stories by Kathleen Collins explore deep, far-reaching issues—relating to race, gender, family, and sexuality—that shape the ordinary moments in our lives. Collins’s work masterfully blends the quotidian and the profound in a personal, intimate way, seamlessly integrating the African American experience into her characters’ lives and creating rich and devastatingly familiar characters who transcend symbolism.

In “The Uncle,” a young girl who idolizes her handsome uncle and his beautiful wife makes a haunting discovery about their lives. In “Only Once,” a woman reminisces about her charming daredevil of a lover and his ultimate—and final—act of foolishness. And in the title story, a recent college graduate realizes the limits of the civil rights movement—and the personal and romantic consequences it holds for her. 

Both contemporary and timeless, Whatever Happened to Interracial Love? is a major and long- overdue addition to our literary canon.

Whatever Happened to Interracial Love?: Stories

Johanna Kaplan

A funny, fresh, and brilliantly insightful collection of stories from a beloved writer, with a new introduction by Francine Prose

Johanna Kaplan’s beautifully written stories first burst on the literary scene in the late 1960s and early 1970s. Today they have retained all of their depth, surprise, and humor—their simultaneously scathing, hilarious, and compassionate insight into character and behavior. From Miriam, home from school with the measles, to Louise, the daughter of a family that fled Vienna for the Dominican Republic, to Naomi, a young psychiatrist, her heroines are fierce, tender, funny, and cuttingly smart.

At once specific to a particular period, place, and milieu—mainly, Jewish New York in the decades after World War II—Kaplan’s stories resonate with universal significance. In this new collection, which includes both early and later stories, unforgettably vivid characters are captured in all of their forceful presence and singularity, their foolishness and their wisdom, their venality and their nobility, while, hovering in the background, the inexorable passage of time and the unending pull of memory render silent judgment.

In its pitch-perfect command of dialogue matched with interwoven subtleties of insight and feeling and a masterful control of language, Loss of Memory Is Only Temporary is itself a timeless collection of the finest work by one of the most extraordinary talents of our age.

Nicole Poole

HarperAudio

Loss of Memory Is Only Temporary

A.E. Coppard

A new collection of short stories from an English master, edited and with a preface by acclaimed author Russell Banks 

Originating in the folktale and with an occasional infusion of gothic horror or fantasy, A. E. Coppard’s stories still feel fresh and surprising today. Coppard came to the short story later in life but left an indelible mark on it. Staunch in his belief that the short story was a distinctive form with little relation to the novel, he wove his tales out of the substance of life in the English countryside, with its memorable and distinctive characters.
 
Reissued with a new preface from award-winning and bestselling author Russell Banks, and including classic tales like “The Black Dog,” “The Handsome Lady,” and “The Higgler,” The Hurly Burly restores this enormously important writer to the position he deserves and introduces him to a new generation of readers.

Alex Wyndham

The Hurly Burly and Other Stories

Lysley Tenorio

A luminous collection of heartbreaking, startling, and gloriously unique stories set amongst the Filipino communities of California and the Philippines—now with a new preface by the author 
 
Monstress stands as a landmark of American multicultural short fiction. Lysley Tenorio’s tales are framed by tense, fascinating dichotomies: tenderness and power, the fantastical and the realistic, pop culture and high culture, the American and the Filipino. Tenorio balances these opposites with rare skill, humor, and deep understanding, exploring universal themes—the sometimes-suffocating ties of family, the melancholy of isolation, the need to find connections—with uncommon empathy and breathtaking originality.

Chelsea Javier

Reuben Uy

Monstress: Stories

Ivan Turgenev

Twenty-five beautifully written stories, penned in exile, evocatively depicting life on a manor in feudal Russia and examining the conflicts between serfs and landlords

A Sportsman’s Notebook, Ivan Turgenev’s first literary masterpiece, is a sweeping portrayal of the magnificent nineteenth–century Russian countryside and the harsh lives of those who inhabited it. In a powerful and gripping series of sketches, a hunter wanders through the vast landscape of steppe and forest in search of game, encountering a varied cast of peasants, landlords, bailiffs, overseers, horse traders, and merchants. He witnesses both feudal tyranny and the submission of the tyrannized, against a backdrop of the sublime and pitiless terrain of rural Russia.

These exquisitely rendered stories, now with a stirring introduction from Daniyal Mueenuddin, were not only universally popular with the reading public but, through the influence they exerted on important members of the Tsarist bureaucracy, contributed to the major political event of mid–nineteenth–century Russia: the Great Emancipation of the serfs in 1861. Rarely has a book that offers such undiluted literary pleasure also been so strong a force for significant social change, one that continues to speak to readers centuries later.

Steven Marvel

A Sportsman's Notebook: Stories

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