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Diego Marani

A young man plunges into student life, in flight from an overbearing father, in search of an identity of his own making. He is like everyone else in his quest for a future he cannot yet understand. His experiences, often comic, always innocently human, are an exploration of the concept of boundaries. But in choosing to study in Trieste, a city of many-layered histories and ethnicities, a city of brilliant sunshine and ferocious gales, he finds that life, and love, throw him more questions than answers.
It is a tale of Everyman, but more than that: in the hands of Diego Marani, author of the celebrated New Finnish Grammar, this wry and affecting novel leads the reader on a nostalgic and thought-provoking journey made wholly individual by its evocation of place – the celestial city of Trieste.
'I did not think that one could weep for a city. But at that time I did not know that cities are women, one can fall in love with them and never forget them.'

Dedalus Europe

The Celestial City

Graham Anderson

Margherita Giacobino

While the radio announcer reports new conflicts and atrocities every day and beggars line the pavements outside her comfortable apartment, the old woman struggles to maintain her grip on life. It is a ridiculous age, she tells an acquaintance. Almost everyone she used to know and love is dead. Only her ancient cat and her best friend Malvina are left, and Malvina is rapidly sliding into senility.
But the old woman's real and constant grief is the loss of her lover, Nora, ten years ago. In this disintegrating world, her lifeline is an immigrant worker, Gabriela, the home help. But Gabriela is being hounded for money by her dysfunctional family, which includes the self-styled 'terrorist' Dorin. How far can an elderly and cultivated woman, still feisty if increasingly world-weary and prickly, allow herself to be drawn into the affairs of a young woman she does not entirely trust?
A brilliant evocation of the challenges of old age, Margherita Giacobino's caustic and funny novel is a tragi-comedy whose unexpected and dramatic conclusion will leave the reader gasping.

The Ridiculous Age

Karmele Jaio

Ismael, a successful novelist, has been suffering from writer's block for two years, trying to get inside his female narrator's head and failing. However, he tells no one about this problem and continues to spend each day in his study, supposedly writing. When his mother is taken into hospital, he is forced to spend time with his father who has the beginnings of dementia. This experience carries him back to a moment in his childhood that has remained hidden away in his memory until then.
Jasone, Ismael's wife, has always been his first reader and editor. As a student, she used to write, but has devoted the last decade of her life to her daughters and to her husband's career. Now that the girls have left home, Jasone finds herself drawn to ideas and causes she believed were the domain of her best friend Libe, as well as to an old flame, who is also her husband's publisher. The rape of a young woman in a nearby town triggers something in Jasone, and she begins spending her nights at her computer writing a novel she never expected to write. When the couple's respective secrets are revealed, everything will change.
With intelligence and wisdom, Karmele Jaio brilliantly dissects the complexities of relationships of all kinds, never coming down on one side, but allowing her characters space to evolve and take up roles of their own making.

Dedalus

My Father's House

Sophie Hughes

Margaret Jull Costa

Beka Adamashvili

One day Memento Mori realises that he is a character in a book who has the power to travel from one book to another. He decides to strike against evil writers who sentence their characters to death. He persuades Romeo and Juliet that suicide is not the best solution and that when they are adults they will remember these days with laughter. To save many others from an untimely death he travels to the Reichenbach Falls to push Professor Moriarty to his death.
Memento Mori's efforts to save more characters from their authors is interrupted when he learns that his author plans to kill off a character. He has no information about who the intended victim is, so with the help of H. G. Wells' time-machine he takes all the characters to a different dimension where they have a better chance of survival.
Everyone Dies in This Novel is a delightful postmodern comedy which has found a worldwide audience.

Everybody Dies in this Novel

Tamar Japaridze

Sylvie Germain

Days of Anger won the Prix Femina when it was first published in France in 1989.
"A murdered woman, lying buried in the forests of the Morvan, is the still beating heart of Days of Anger. A rich, eventful saga of blood, angels, obsession and revenge, this marvellous novel is a compulsive, magical read, passionate and spell binding."
James Friel in Time OutSylvie Germain's novels will appeal to readers who like their fiction to engage both the heart and the mind.

Days of Anger

Christine Donougher

Vladimir Sharov

At the centre of Be as Children is an ailing Vladimir Lenin, infected not with syphilis, as some historians have claimed, but with Christian fervour. Regressing stroke by stroke to an infancy of his own, he renounces his faith in the proletariat and puts all his hope in the many children left homeless and orphaned by the Civil War. Only they will be loyal to the cause and only they can save it. Around this story Sharov weaves two other plots: a murderer who converts a Siberian people to Christianity and the life story of a female holy fool. Epic in scope and highly original in execution, Be as Little Children shows exactly why, since his untimely death in 2018, Vladimir Sharov has been widely celebrated in Russia as one of the few outstanding novelists of his era and a true heir to the classic authors of the nineteenth century.

Be as Children

Oliver Ready

"Sylvie Germain's The Medusa Child beautifully translated from the French by Liz Nash, tells a heartbreaking and violent story about sin and redemption in fantastical language; a myth from la France profonde." Michelle Roberts in Books of the Year in The Independent on Sunday

The Medusa Child

Liz Nash

'It has been a long while in Italian fiction since such an authentic and engaging voice has appeared.' Bruno Quaranta in La Stampa.
Portrait of a Family with a Fat Daughter tells the story of four generations of a peasant family living outside Turin between the late nineteenth century and the boom years of the 1950s, as they clamber out of grinding rural poverty into the sixties world of frozen fish and fridges. The author's grandmother emigrates to California and returns to Italy semi-paralysed after a mishap as she is giving birth.
When her father dies the author's eight-year-old mother returns to Italy, to be brought up by a family she does not know, to become Italian again and ultimately to marry a captivating 'man-boy' whose fecklessness is grippingly described, as is his time in a German prison camp in World War 11. She runs a small shop which gradually expands, lifting the family out of the working class; her daughter, Margherita, always a conscientious student, reared by this extended matriarchal family, becomes the writer of this book.
'An epic novel, which is the story of an Italy which no longer exists, becomes the portrait of a family. It is a novel which touches the heart.' Valeria Parrella in Grazie.

Portrait of a Family with a Fat Daughter

Magnus is a deeply moving and enigmatic novel about the Holocaust. It has been Sylvie Germain's most commercially successful novel in France.Magnus is a man searching for his own identity, who pieces together the complex puzzle of his life, which turns out to be closer to a painting by Edward Munch than the romantic tale of family heroism and self-sacrifice on which he was nurtured by the woman he believed was his mother.In Magnus, Sylvie Germain uses imagination and intuition to unlock the enigma of human life and confer on history the power of myth and fable.Magnus won the Goncourt Lyceen Prize, selected by French High School Students as the best novel of the year from the main Goncourt Prize Shortlist. It is a short and profound novel suitable for 16-year-olds upwards and is a good starting point for exploration of the Holocaust.Sylvie Germain was born in Chateauroux in Central France in 1954. She read philosophy at the Sorbonne, being awarded a doctorate. From 1987 until the summer of 1993 she taught philosophy at the French School in Prague. She now lives in Angouleme. Sylvie Germain is the author of thirteen works of fiction, eleven of which have been published by Dedalus, a study of the painter Vermeer and a religious meditation. Her work has been translated into twenty one languages and has received worldwide acclaim. Sylvie Germain's first novel The Book of Nights was published to France to great acclaim in 1985. It has won five literary prizes as well as the TLS Scott Moncrieff Translation Prize in England.The novel's story is continued in Night of Amber in 1987. Her third novel Days of Anger won the Prix Femina in 1989. It was followed by The Medusa Child in 1991 and The Weeping Woman on the Streets of Prague in 1992, the beginning of her Prague trilogy, continued with Infinite Possibilities in 1993 and then Invitation to a Journey (L'Eclats du sel). The Book of Tobias saw a return to rural France and la France profonde, followed in 2002 by The Song of False Lovers (Chanson des Mal-Aimants). Her next novel Magnus, was written in fragments, and creates a powerful study of the Holocaust and the long shadow it left. It won the Goncourt Lyceen Prize for the best French novel of 2005. It was published by Dedalus in 2008 followed by Hidden Lives in the autumn of 2010.

Magnus

This anthology spans more than a century, from the end of the 19th-century to the present day.
It is a period marked by change, war, occupying regimes, and renewed freedom. Much of the early work written by Latvian women writers such as Anna Rumane-Kenina, Angelika Gailite, Anna Brigadere, Alija Baumane, and Mirdza Bendrupe is realist in nature, depicting an upheaval of mores and relationships forged not through tradition, but the pangs of love and passion.The Soviet era brought strict censorship to all forms of the arts, including literature.Despite this, authors like Regina Ezera were able to push their craft deeper into the psychological analysis of their characters. On the other side of the Iron Curtain, US-based Latvian exile writer Ilze Skipsna forged ahead with her own version of the psychological short story.
The work of authors such as Andra Neiburga, Gundega Repse and Nora Ikstena in the late 80s and early 90s heralded a new era of female writers in a country yearning for its freedom which it finally achieved. Authors who appeared after the millennium like Inga Abele, and Inga Zolude, who have shaped and continue to shape contemporary Latvian literature, round out this collection.
Contents
1.Old Karline by Anna Brigadere (1897), translated by Laura Adlers, 2. Mother's Sorrow by Anna Rumane-Kenina (1912), translated by Mara Rozitis, 3. Honeymoon Trip by Angelika Gailite(1925), translated by Ieva Lesinska, 4. Process by Alija Baumane (1927), translated by Ieva Lesinska, 5. Helena by by Mirdze Bendrupe (1942), translated by Laura Adlers,6. Foreigners by Ilze Skipsna (1964) originally written in English,7. The Hoopoes'Dance by Regina Ezera(1977), translated by Zanete Vevere Pasquilini, 8. Maija by Gundega Repse (1987), translated by Zanete Vevere Pasquilini, 9. A Day in Her Life by Nora Ikstena (1996),translated by Mara Rozitis, 10. Nettle by Inga Abele (1998), translated by Laura Adlers, 11.Push Push by Andra Neiburga (2004), translated by Ieva Lesinska 12.Lichens by Inga Zolude(2015), translated by Zan McQuade.

Baltic Belles: The Ded Bk of Latvian Women's Literature

Anna Rumane- Kenina

Laura Adlers

Take Six: Six Spanish Women Writers is an anthology of short stories by six outstanding Spanish women writers: Emilia Pardo Bazán (1851-1921), Carmen de Burgos (1867-1932), Carmen Laforet (1921-2004), Cristina Fernández Cubas (born 1945), Soledad Puértolas (born 1947) and Patricia Erlés (born 1972).
The stories span over one hundred years, starting with the indomitable Emilia Pardo Bazán, whose casual and often humorous protrayal of brutal domestic violence set a paradigm for the writers who followed her to explore every aspect of the roles imposed on women by a male-dominated society, delving into subjects ranging from love and betrayal to bereavement, arson and murder, without losing touch with the humorous side of seemingly impossible situations. Relatively few women writers are translated into English, and this anthology is an attempt to rectify that imbalance and to introduce readers to some truly captivating tales from Spain.
List of stories: Emilia Pardo Bazan: The SkullA Secret VengeanceThe Red StockingsStrafulated EggsA Good Set of TeethNearly an ArtistCarmen de Burgos: A Mother for a DaughterThe Final WishThose Who Didn't SurviveCarmen Laforet: The Dead WifeThe Summer HolidayRosamundaGoing Back HomeThe PhotographCristina Fernandez Cubas: The Angle of HorrorThe Woman in GreenSoledad Puertolas: Two Other MenThe Sea Flooding Underground Car ParksFiresPatricia Erles: On Apples and ArsesThe GameGhostKryptoniteThe Woman in RedThe Ugly PrincessMarilyn Monroe

Dedalus Europe - Seri buku

Dedalus Europe - Seri buku

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