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Descubre un mundo infinito de historias

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John Rodden

A reflection on Orwell-as-idea that “outlines some of the misconceptions and misuses of the Orwell name” (Modern Fiction Studies).
 
 The year 1984 is just a memory, but the catchwords of George Orwell’s novel Nineteen Eighty-Four still routinely pepper public discussions of topics ranging from government surveillance and privacy invasion to language corruption and bureaucratese. Orwell’s work pervades the cultural imagination, while others of his literary generation are long forgotten.
 
 Exploring this astonishing afterlife has become the scholarly vocation of John Rodden, who is now the leading authority on the reception, impact, and reinvention of George Orwell—the man and writer—as well as of “Orwell” the cultural icon and historical talisman. In The Unexamined Orwell, Rodden delves into dimensions of Orwell’s life and legacy that have escaped the critical glare. He discusses how several leading American intellectuals have earned the title of Orwell’s “successor,” including Lionel Trilling, Dwight Macdonald, Irving Howe, Christopher Hitchens, and John Lukacs. He then turns to Germany and focuses on the role and relevance of Nineteen Eighty-Four in the now-defunct communist nation of East Germany. Rodden also addresses myths that have grown up around Orwell’s life, including his “more than half-legendary” encounter with Ernest Hemingway in liberated Paris in March 1945, and analyzes literary issues such as his utopian sensibility and his prose style.
 
 Finally, Rodden poses the endlessly debated question, “What would George Orwell do?” and speculates about how the prophet of Nineteen Eighty-Four would have reacted to world events. In so doing, Rodden shows how our responses to this question reveal much about our culture’s ongoing need to reappropriate “Orwell.”

University of Texas Press

Literary Modernism

The Unexamined Orwell

Joseph Kelly

James Joyce began his literary career as an Irishman writing to protest the deplorable conditions of his native country. Today, he is an icon in a field known as "Joyce studies." Our Joyce explores this amazing transformation of a literary reputation, offering a frank look into how and for whose benefit literary reputations are constructed. 
 
 
 Joseph Kelly looks at five defining moments in Joyce's reputation. Before 1914, when Joyce was most in control of his own reputation, he considered himself an Irish writer speaking to the Dublin middle classes. When T. S. Eliot and Ezra Pound began promoting Joyce in 1914, however, they initiated a cult of genius that transformed Joyce into a prototype of the "egoist," a writer talking only to other writers. 
 
 
 This view served the purposes of Morris Ernst in the 1930s, when he defended Ulysses against obscenity charges by arguing that geniuses were incapable of obscenity and that they wrote only for elite readers. That view of Joyce solidified in Richard Ellmann's award-winning 1950s biography, which portrayed Joyce as a self-centered genius who cared little for his readers and less for the world at war around him. The biography, in turn, led to Joyce's canonization by the academy, where a "Joyce industry" now flourishes within English departments.

Our Joyce: From Outcast to Icon

Jay Neugeboren

“[W]andering Jews stray far from their geographical, cultural and spiritual homes . . . [in] an evocative collection from a confident storyteller” (Publishers Weekly).
 
 Prize-winning novelist Jay Neugeboren’s third collection of short stories focuses on Jews in various states of exile and expatriation—strangers in strange lands, far from home. These dozen tales, by an author whose stories have been selected for more than fifty anthologies, including Best American Short Stories and O. Henry Prize Stories, span the twentieth century and vividly capture brief moments in the lives of their characters: a rabbi in a small town in New England struggling to tend to his congregation and himself, retirees who live in Florida but dream of Brooklyn, a boy at a summer camp in upstate New York learning about the Holocaust for the first time, Russians living in Massachusetts with the family who helped them immigrate, an American soldier as he grieves for members of his family murdered in a Nazi death camp.

 These are just a sampling of the lives illuminated in this moving collection. Set in various times and places, these poignant stories are all tales of personal exile that also illuminate that greater diaspora—geographical, emotional, or spiritual—in which many of us, whether Jews or non-Jews, live.

 “[A] brilliant collection.” ―The Jewish Advocate
 
 “From the opening pages, the stories never cease to startle us, and they force us to rethink who we are in this strange new century of ours when all of us are adrift.” —Jerome Charyn, award-winning author of Big Red

Literary Modernism

Literary Modernism

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