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Descubre un mundo infinito de historias

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George Orwell

We are happy to publish this "Illustrated Version of 1984" to our readers with a "New Cover". Additionally, we added to the book Author's detailed biography and Appendix for better understanding for inside terms (Appendix).Nineteen Eighty-Four: A Novel, often published as 1984, is a dystopian social science fiction novel by English novelist George Orwell. It was published on 8 June 1949 by Secker & Warburg as Orwell's ninth and final book completed in his lifetime. Thematically, Nineteen Eighty-Four centres on the consequences of totalitarianism, mass surveillance, and repressive regimentation of persons and behaviours within society. Orwell, himself a democratic socialist, modeled the authoritarian government in the novel after Stalinist Russia. More broadly, the novel examines the role of truth and facts within politics and the ways in which they are manipulated.The story takes place in an imagined future, the year 1984, when much of the world has fallen victim to perpetual war, omnipresent government surveillance, historical negationism, and propaganda. Great Britain, known as Airstrip One, has become a province of a totalitarian superstate named Oceania that is ruled by the Party who employ the Thought Police to persecute individuality and independent thinking. Big Brother, the leader of the Party, enjoys an intense cult of personality despite the fact that he may not even exist. The protagonist, Winston Smith, is a diligent and skillful rank-and-file worker and Party member who secretly hates the Party and dreams of rebellion. He enters into a forbidden relationship with a colleague, Julia, and starts to remember what life was like before the Party came to power.Nineteen Eighty-Four has become a classic literary example of political and dystopian fiction. It also popularised the term "Orwellian" as an adjective, with many terms used in the novel entering common usage, including "Big Brother", "Doublethink", "Thoughtcrime", "Newspeak", "Memory Hole", "2 + 2 = 5", "Proles", "Two Minutes Hate", "Telescreen", and "Room 101".E-Kitap Projesi & Cheapest Books

E-Kitap Projesi & Cheapest Books

Essential Orwell Classics

1984: "Big Brother is watching you!"

This excellent collection brings together Orwell's longer, major essays and a fine selection of shorter pieces. With great originality and wit Orwell unfolds his views on subjects ranging from a revaluation of Charles Dickens to the nature of Socialism, from a comic yet profound discussion of naughty seaside postcards to a spirited defence of English cooking. Displaying an almost unrivalled mastery of English plain prose, Orwell's essays created a unique literary manner from the process of thinking aloud and continue to challenge, move and entertain. The articles collected in George Orwell's Essays illuminate the life and work of one of the most individual writers of the XX century - a man who elevated political writing to an art.

Essays included:

- THE SPIKE
- A HANGING (1931)
- BOOKSHOP MEMORIES (1936)
- SHOOTING AN ELEPHANT (1936)
- DOWN THE MINE (1937) (FROM "THE ROAD TO WIGAN PIER")
- NORTH AND SOUTH (FROM "THE ROAD TO WIGAN PIER") (1937)
- SPILLING THE SPANISH BEANS (1937)
- MARRAKECH (1939)
- BOYS' WEEKLIES AND FRANK RICHARDS'S REPLY (1940)
- CHARLES DICKENS (1940)
- CHARLES READE (1940)
- INSIDE THE WHALE (1940)
- THE ART OF DONALD MCGILL (1941)
- THE LION AND THE UNICORN: SOCIALISM AND THE ENGLISH GENIUS (1941)
- WELLS, HITLER AND THE WORLD STATE (1941)
- LOOKING BACK ON THE SPANISH WAR (1942)
- RUDYARD KIPLING (1942)
- MARK TWAIN-THE LICENSED JESTER (1943)
- POETRY AND THE MICROPHONE (1943)
- W B YEATS (1943)
- ARTHUR KOESTLER (1944)
- BENEFIT OF CLERGY: SOME NOTES ON SALVADOR DALI (1944)
- RAFFLES AND MISS BLANDISH (1944)
- ANTISEMITISM IN BRITAIN (1945)
- FREEDOM OF THE PARK (1945)
- FUTURE OF A RUINED GERMANY (1945)
- IN DEFENCE OF P. G. WODEHOUSE (1945)
- NONSENSE POETRY
- NOTES ON NATIONALISM (1945)
- REVENGE IS SOUR (1945)
- THE SPORTING SPIRIT
- YOU AND THE ATOMIC BOMB (1945)
- A GOOD WORD FOR THE VICAR OF BRAY
- A NICE CUP OF TEA (1946)
- BOOKS VS. CIGARETTES
- CONFESSIONS OF A BOOK REVIEWER
- DECLINE OF THE ENGLISH MURDER
- HOW THE POOR DIE
- JAMES BURNHAM AND THE MANAGERIAL REVOLUTION
- PLEASURE SPOTS
- POLITICS AND THE ENGLISH LANGUAGE
- POLITICS VS. LITERATURE: AN EXAMINATION OF GULLIVER'S TRAVELS
RIDING DOWN FROM BANGOR
- SOME THOUGHTS ON THE COMMON TOAD
- THE PREVENTION OF LITERATURE
- WHY I WRITE (1946)
- LEAR, TOLSTOY AND THE FOOL
- SUCH, SUCH WERE THE JOYS (1947)
- WRITERS AND LEVIATHAN (1948)
- REFLECTIONS ON GANDHI

Fifty Essays

Homage to Catalonia is George Orwell's personal account of his experiences and observations fighting for the POUM militia of the Republican army during the Spanish Civil War. The war was one of the defining events of his political outlook and a significant part of what led him to write in 1946, "Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for Democratic Socialism, as I understand it."

The first edition was published in the United Kingdom in 1938. The book was not published in the United States until February 1952, when it appeared with an influential preface by Lionel Trilling. The only translation published in Orwell's lifetime was into Italian, in December 1948. A French translation by Yvonne Davet-with whom Orwell corresponded, commenting on her translation and providing explanatory notes-in 1938-39, was not published until five years after Orwell's death.

Book Summary:

Orwell served as a private, a corporal (cabo) and-when the informal command structure of the militia gave way to a conventional hierarchy in May 1937-as a lieutenant, on a provisional basis, in Catalonia and Aragon from December 1936 until June 1937. In June 1937, the leftist political party with whose militia he served (the POUM, the Workers' Party of Marxist Unification, an anti-Stalinist communist party) was declared an illegal organisation, and Orwell was consequently forced to flee.

Having arrived in Barcelona on 26 December 1936, Orwell told John McNair, the Independent Labour Party's (ILP) representative there, that he had "come to Spain to join the militia to fight against Fascism." He also told McNair that "he would like to write about the situation and endeavour to stir working class opinion in Britain and France." McNair took him to the POUM barracks, where Orwell immediately enlisted. "Orwell did not know that two months before he arrived in Spain, the [Soviet law enforcement agency] NKVD's resident in Spain, Aleksandr Orlov, had assured NKVD Headquarters, 'the Trotskyist organisation POUM can easily be liquidated'-by those, the Communists, whom Orwell took to be allies in the fight against Franco."

Homage to Catalonia

Clergyman's Daughter is a 1935 novel by English author George Orwell. It tells the story of Dorothy Hare, the clergyman's daughter of the title, whose life is turned upside down when she suffers an attack of amnesia. It is Orwell's most formally experimental novel, featuring a chapter written entirely in dramatic form, but he was never satisfied with it and he left instructions that after his death it was not to be reprinted. Despite these instructions, Orwell did consent that to cheap editions "of any book which may bring in a few pounds for my heirs" following his death.

Book Summary:

The story is told in five distinct chapters:

Chapter 1

A day in the life of Dorothy Hare, the weak-willed daughter of a disagreeable widowed clergyman. Her father is Rector of Knype Hill, a small town in East Anglia. She keeps house for him, fends off creditors, visits parishioners and makes costumes for fund-raising events. Throughout she practises mortification of flesh to be true to her faith. In the evening she is invited to dinner by Mr Warburton, Knype Hill's most disreputable resident, a middle-aged bachelor who is an unashamed lecher and atheist.

Chapter 2

Dorothy is transposed to the Old Kent Road with amnesia. Eight days of her life are unaccounted for. She joins a group of vagrants, comprising a young man named Nobby and his two friends, who relieve her of her remaining half-crown and take her with them on a hop-picking expedition in Kent.

Chapter 3

Dorothy spends the night sleeping rough in Trafalgar Square in a chapter presented entirely as dramatic dialogue. After spending ten days on the streets, she is arrested for vagrancy and ends up in a police cell for twelve hours for failure to pay the fine.

Chapter 4

Dorothy believes that her father, distraught at the rumours of her running away with Mr Warburton, has ignored her letters for help. In fact he has contacted his cousin Sir Thomas Hare, whose servant locates her at the police station. Hare's solicitor procures a job for her as a "schoolmistress" in a small "fourth-rate" private girls' "academy" run by the grasping Mrs Creevy. Dorothy's attempts to introduce a more liberal and varied education to her students clash with the expectations of the parents, who want a strictly "practical" focus on handwriting and basic mathematics.

Chapter 5

Shortly after Dorothy steps out of the door of the school Mr Warburton turns up in a taxi to say that Mrs Semprill has been charged with slander, and that her malicious gossip has been discredited. He has come, therefore, to take her back to Knype Hill. On the trip home he proposes marriage. Dorothy rejects him, recognising but disregarding his argument that, with her loss of religious faith, her existence as a hard-working clergyman's daughter will be meaningless and dull, and that marriage while she is still young is her only escape.

A Clergyman's Daughter

Burmese Days is the first novel by English writer George Orwell, published in 1934. Set in British Burma during the waning days of Empire, when Burma was ruled from Delhi as part of British India, it is "a portrait of the dark side of the British Raj." At the centre of the novel is John Flory, "the lone and lacking individual trapped within a bigger system that is undermining the better side of human nature." The novel describes "both indigenous corruption and imperial bigotry" in a society where, "after all, natives were natives-interesting, no doubt, but finally...an inferior people".

Burmese Days was first published "further afield," in the United States, because of concerns that it might be potentially libelous; that the real provincial town of Katha had been described too realistically; and that some of its fictional characters were based too closely on identifiable people. A British edition, with altered names, appeared a year later. Nonetheless, Orwell's harsh portrayal of colonial society was felt by "some old Burma hands" to have "rather let the side down". In a letter from 1946, Orwell wrote, "I dare say it's unfair in some ways and inaccurate in some details, but much of it is simply reporting what I have seen".

Book Summary:

Burmese Days is set in 1920s imperial Burma, in the fictional district of Kyauktada, based on Kathar (formerly spelled Katha), a town where Orwell served. Like the fictional town, it is the head of a branch railway line above Mandalay on the Ayeyarwady (Irrawaddy) River. As the story opens, U Po Kyin, a corrupt Burmese magistrate, is planning to destroy the reputation of the Indian, Dr Veraswami. The doctor hopes for help from his friend John Flory who, as a pukka sahib (European white man), has higher prestige. Dr Veraswami also desires election to the town's European Club, of which Flory is a member, expecting that good standing among the Europeans will protect him from U Po Kyin's intrigues. U Po Kyin begins a campaign to persuade the Europeans that the doctor holds anti-British opinions in the belief that anonymous letters with false stories about the doctor "will work wonders". He even sends a threatening letter to Flory.

John Flory, a jaded 35-year-old teak merchant with a birthmark on his face in the shape of a ragged crescent, spends three weeks of every month acquiring jungle timber. Friendless among his fellow Europeans and unmarried, but with a Burmese mistress, he has become disillusioned with life in an expatriate community centred round the local European Club in a remote provincial town. At the same time, he has become so embedded in Burma that it is impossible for him to leave and return to England. Flory has one good friend, the Indian, Dr Veraswami, whom he often visits for what the Doctor delightedly calls "cultured conversation". But when Flory dismisses the British as mere moneymakers, living a lie, "the lie that we're here to uplift our poor black brothers instead of to rob them," he provokes consternation in the doctor, who defends the British as the efficient administrators of an unrivalled empire. Toward his mistress, Flory is emotionally ambivalent: "On the one hand, Flory loves Burma and craves a partner who will share his passion, which the other local Europeans find incomprehensible; on the other hand, for essentially racist reasons, Flory feels that only a European woman is acceptable as a partner".

Burmese Days

First of all the physical memories,The sounds, the smells and the surfaces of things. It is curious that more vividly than anything that came afterwards in the Spanish war I remember the week of so-called training that we received before being sent to the front - the huge cavalry barracks in Barcelona with its draughty stables and cobbled yards, the icy cold of the pump where one washed, the filthy meals made tolerable by pannikins of wine, the Trousered militia-women chopping firewood, and the roll-call in the early mornings where my prosaic English name made a sort of comic interlude among the resounding Spanish ones, Manuel Gonzalez, Pedro Aguilar, Ramon Fenellosa, Roque Ballaster, Jaime Domenech, Sebastian Viltron, Ramon Nuvo Bosch. I name those particular men because I remember the faces of all of them. Except for two who were mere riff-raff and have doubtless become good Falangists by this time, it is probable that all of them are dead. Two of them I know to be dead. The eldest would have been about twenty-five, the youngest sixteen. One of the essential experiences of war is never being able to escape from disgusting smells of human origin. Latrines are an overworked subject in war literature, and I would not mention them if it were not that the latrine in our barracks did its necessary bit towards puncturing my own illusions about the Spanish civil war. The Latin type of latrine, at which you have to squat, is bad enough at its best, but these were made of some kind of polished stone so slippery that it was all you could do to keep on your feet. In addition they were always blocked. Now I have plenty of other disgusting things in my memory, but I believe it was these latrines that first brought home to me the thought, so often to recur: 'Here we are, soldiers of a revolutionary army, defending Democracy against Fascism, fighting a war which is about something, and the detail of our lives is just as sordid and degrading as it could be in prison, let alone in a bourgeois army.' Many other things reinforced this impression later; for instance, the boredom and animal hunger of trench life, the squalid intrigues over scraps of food, the mean, nagging quarrels which people exhausted by lack of sleep indulge in.

Looking Back on the Spanish War

Down and Out in Paris and London is the first full-length work by the English author George Orwell, published in 1933. It is a memoir in two parts on the theme of poverty in the two cities, which was written deliberately in a non-academic tone. Its target audience was the middle and upper class members of society-those who were more likely to be well educated-and exposes the poverty existing in two prosperous cities: Paris and London. The first part is an account of living in near-destitution in Paris and the experience of casual labour in restaurant kitchens. The second part is a travelogue of life on the road in and around London from the tramp's perspective, with descriptions of the types of hostel accommodation available and some of the characters to be found living on the margins.

Book Summary:

After giving up his post as a policeman in Burma to become a writer, Orwell moved to rooms in Portobello Road, London at the end of 1927 when he was 24. While contributing to various journals, he undertook investigative tramping expeditions in and around London, collecting material for use in "The Spike", his first published essay, and for the latter half of Down and Out in Paris and London. In spring of 1928 he moved to Paris and lived at 6 Rue du Pot de Fer in the Latin Quarter, a bohemian quarter with a cosmopolitan flavour. American writers like Ernest Hemingway and F. Scott Fitzgerald had lived in the same area. Following the Russian Revolution, there was a large Russian emigre community in Paris. Orwell's aunt Nellie Limouzin also lived in Paris and gave him social and, when necessary, financial support. He led an active social life, worked on his novels and had several articles published in avant-garde journals.

Down and Out in Paris and London

Keep the Aspidistra Flying, first published in 1936, is a socially critical novel by George Orwell. It is set in 1930s London. The main theme is Gordon Comstock's romantic ambition to defy worship of the money-god and status, and the dismal life that results.

Orwell wrote the book in 1934 and 1935, when he was living at various locations near Hampstead in London, and drew on his experiences in these and the preceding few years. At the beginning of 1928 he lived in lodgings in Portobello Road from where he started his tramping expeditions, sleeping rough and roaming the poorer parts of London. At this time he wrote a fragment of a play in which the protagonist Stone needs money for a life-saving operation for his child. Stone would prefer to prostitute his wife rather than prostitute his artistic integrity by writing advertising copy.

Book Summary:

Gordon Comstock has 'declared war' on what he sees as an 'overarching dependence' on money by leaving a promising job as a copywriter for an advertising company called 'New Albion'-at which he shows great dexterity-and taking a low-paying job instead, ostensibly so he can write poetry. Coming from a respectable family background in which the inherited wealth has now become dissipated, Gordon resents having to work for a living. The 'war' (and the poetry), however, aren't going particularly well and, under the stress of his 'self-imposed exile' from affluence, Gordon has become absurd, petty and deeply neurotic.

Comstock lives without luxuries in a bedsit in London, which he affords by working in a small bookshop owned by a Scot, McKechnie. He works intermittently at a magnum opus he plans to call 'London Pleasures', describing a day in London; meanwhile, his only published work, a slim volume of poetry entitled Mice, collects dust on the remainder shelf. He is simultaneously content with his meagre existence and also disdainful of it. He lives without financial ambition and the need for a 'good job,' but his living conditions are uncomfortable and his job is boring.

Comstock is 'obsessed' by what he sees as a pervasion of money (the 'Money God', as he calls it) behind social relationships, feeling sure that women would find him more attractive if he were better off. At the beginning of the novel, he senses that his girlfriend Rosemary Waterlow, whom he met at New Albion and who continues to work there, is dissatisfied with him because of his poverty. An example of his financial embarrassment is when he is desperate for a pint of beer at his local pub, but has run out of pocket money and is ashamed to cadge a drink off his fellow lodger, Flaxman.

One of Comstock's last remaining friends, Philip Ravelston, a Marxist who publishes a magazine called Anti-Christ, agrees with Comstock in principle, but is comfortably well-off himself and this causes strains when the practical miseries of Comstock's life become apparent. He does, however, endeavour to publish some of Comstock's work and his efforts, unbeknownst to Comstock, had resulted in Mice being published via one of his publisher contacts.

Keep the Aspidistra Flying

The Lion and the Unicorn: Socialism and the English Genius was published in February 1941, well into the Second World War, after Dunkirk and the Battle of Britain. It is a long essay, divided into three parts. 
 
 1. England Your England (35 pages)
 2. Shopkeepers at War (19 pages)
 3. The English Revolution (9 pages)
 
 The three essays 1. describe the essence of Englishness and records changes in English society over the previous thirty years or so 2. make the case for a socialist system in England 3. argue for an English democratic socialism, sharply distinct from the totalitarian communism of Stalin.
 
 Now, at this distance of 76 years, the political content seems to me almost completely useless. After the war, the socialist policies carried out by Attlee's government, thirty years of 'Butskellism' and Britain's steady industrial decline into the 1970s which was brutally arrested by Mrs Thatcher's radical economic and social policies of the 1980s, followed by Tony Blair's attempt to create a non-socialist Labour Party in the 1990s, and all the time the enormous social transformations wrought by ever-changing technology - the political, social, economic, technological and cultural character of England has been transformed out of all recognition. 
 
 That said, this book-length essay is still worth reading as a fascinating social history of its times and for its warm evocation of the elements of the English character, some of which linger on, some of which have disappeared.

Essential Orwell Classics - La serie de libros

Essential Orwell Classics - La serie de libros

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