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الاستماع والقراءة

Elly Griffiths

One of Entertainment Weekly's 10 Great Fall Thrillers
"Clever, immensely likeable...Captivating." —The Wall Street Journal

 In the first installment of a compelling new series by Elly Griffiths featuring Detective Inspector Edgar Stephens and the magnificent Max Mephisto, a band of magicians who served together in World War II track a killer who’s performing their deadly tricks.

 Brighton, 1950. The body of a girl is found cut into three pieces. Detective Inspector Edgar Stephens is convinced the killer is mimicking a famous magic trick—the Zig Zag Girl. The inventor of the trick, Max Mephisto, is an old war friend of Edgar’s. They served together in a shadowy unit called the Magic Men, a special ops troop that used stage tricks to confound the enemy. Max is on the traveling show circuit, touring seaside towns with ventriloquists, sword-swallowers and dancing girls. He’s reluctant to leave this world to help Edgar investigate, but advises him to identify the victim quickly — it takes a special sidekick to do the Zig Zag Girl. Those words come back to haunt Max when the dead girl turns out to be Ethel, one of his best assistants to date. He’s soon at Edgar’s side, hunting for Ethel’s killer. Another death, another magic trick: Edgar and Max are sure the answer to the murders lies in their army days. And when Edgar receives a letter warning of another “trick” on the way — the Wolf Trap — he knows they’re all in the killer’s sights.

Daniel Philpott

HarperAudio

Brighton Mysteries

The Zig Zag Girl

“Another great series.” — San Jose Mercury News

“A dazzlingly tricky mystery.” — Kirkus Reviews
 
 “A tremendous skein of red herrings, sharp and thorough police work, [and] mysterious connections.” — Bookgasm 
 
 It’s Christmastime in Brighton, and the city is abuzz about magician Max Mephisto’s star turn in Aladdin. But the holiday cheer is lost on DI Edgar Stephens. He’s investigating the murder of two children, Annie and Mark, who were found in the woods alongside a trail of candy—a horrifying scene eerily reminiscent of “Hansel and Gretel.”
 Edgar has plenty of leads. Annie, a dark child, wrote gruesome plays based on the Grimms’ fairy tales. Does the key to the case lie in her final script? Or does the macabre staging of the bodies point to the theater and the capricious cast of Aladdin? Edgar enlists Max’s help in penetrating the shadowy world of the theater. But is this all just classic misdirection?
 
“Excellent . . . Evoking both the St. Mary Mead of Agatha Christie and the theater world of Ngaio Marsh.” — Booklist

Smoke and Mirrors

Brighton Mysteries - سلسلة الكتب

Brighton Mysteries - سلسلة الكتب

Brighton Mysteries كتب بالترتيب

الاستماع والقراءة