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Sarah Ruden

A biography of Vergil, Rome’s greatest poet, by the acclaimed translator of the Aeneid

The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became the world’s first media celebrity, a living legend.

But the real Vergil is a shadowy figure; we know that he was born into a modest rural family, that he led a private and solitary life, and that, in spite of poor health and unusual emotional vulnerabilities, he worked tirelessly to achieve exquisite new effects in verse. Vergil’s most famous work, the Aeneid, was commissioned by the emperor Augustus, who published the epic despite Vergil’s dying wish that it be destroyed.

Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil’s own writings to make careful deductions to reconstruct his life. Through her intimate knowledge of Vergil’s work, she brings to life a poet who was committed to creating something astonishingly new and memorable, even at great personal cost.

Suzanne Toren

Yale Press Audio

Ancient Lives

Vergil: The Poets Life

Francine Prose

A feminist reinterpretation of the myths surrounding Cleopatra casts new light on the Egyptian queen and her legacy

The siren passionately in love with Mark Antony, the seductress who allegedly rolled out of a carpet she had herself smuggled in to see Caesar, Cleopatra is a figure shrouded in myth. Beyond the legends immortalized by Plutarch, Shakespeare, George Bernard Shaw, and others, there are no journals or letters written by Cleopatra herself. All we have to tell her story are words written by others.

What has it meant for our understanding of Cleopatra to have had her story told by writers who had a political agenda, authors who distrusted her motives, and historians who believed she was a liar? Francine Prose delves into ancient Greek and Roman literary sources, as well as modern representations of Cleopatra in art, theater, and film. She challenges the common narratives driven by orientalism and misogyny and offers a new interpretation of Cleopatra’s history from the lens of our own era.

Katherine Fenton

Cleopatra: Her History, Her Myth